The virtuoso Liszt

Unknown author

44 citations0/0 files storedChoice Reviews Online

No readable copy stored yet — this record is metadata only.

No open-access location is known for this record yet.

Literature note Cite in a project Citation map

Musicology and Musical Analysis Theater, Performance, and Music History Literature, Musicology, and Cultural Analysis

Abstract

Acknowledgements Note on periodical citations Introduction: A virtuoso in context 1. Liszt, Thalberg, and the Parisian publics 2. Warhorses: virtuosity, violence, and the cult of Napoleon 3. The cosmopolitan as nationalist 4. Liszt and the German nation, 1840-43 5. Anatomy of 'Lisztomania': the Berlin episode Bibliography Works cited.

Paper brief

Loading…

Cite this work

Citation unavailable for this work.

BibTeX RIS CSL-JSON

No public copy is stored for this record, so only the metadata is cited.

Citations in this library

Citation map →

Stored only when both papers are in the corpus — 44 citations exist upstream.

Cited by

2016Recomposing National Identity: Four Transcultural Readings of Liszt's Marche hongroise d'après Schubert 2017Clara Schumann's Interiorities and the Cutting Edge of Popular Pianism 2020Chopin's Album Leaves and the Aesthetics of Musical Album Inscription 2019Boundaries of the New: American Classical Music at the Turn of the Millennium 2017Performing Civility: International Competitions in Classical Music 2021Gould’s Creaking Chair, Schoenberg’s Metric Clarity 2007Beethoven Instrumentalized: Richard Wagner's Self-Marketing and Media Image 2016Anti-hero Worship: The Emergence of the “Byronic hero” Archetype in the Nineteenth Century

Imported from OpenAlex (CC0) — nothing here is generated.