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Radical Tragedy--Religion,Ideology and Power in the Drama of Shakespeare and his Contemporaries/Jonathan Dollimore(1984)
0 references·6 citing·32 second hop
Radical Tragedy--Religion,Ideology and Power in the Drama of Shakespeare and his Contemporaries/Jonathan Dollimore(1984) (1987)Radical Tragedy--Religion,Ideology and Po…Re-reading Rape in The Changeling (2011)Re-reading Rape in The Change…Marlowe'sDidoand the Staging of Catharsis (2007)Marlowe'sDidoand the Staging …Doctor Faustus:The predestination theory (1995)Doctor Faustus:The predestina…Gendering opera: Italian opera as the feminine other in Britain, 1700–42 (1994)Gendering opera: Italian oper…Son of Bashing the bourgeois subject (1992)Son of Bashing the bourgeois …AGAINST THE GRAIN: REPRESENTING THE MARKET INCORIOLANUS (1991)AGAINST THE GRAIN: REPRESENTI…The Revolution of the Saints: A Study in the Origins of Radical Politics (1966)THE MORAL ECONOMY OF THE ENGLISH CROWD IN THE EIGHTEENTH CENTURY (1971)Jean Baudrillard: Selected Writings (1989)“How apply you this?” Conflict and consensus inCoriolanus (2008)Taking Stock of Shakespeare and the New Economic Criticism (2012)Religion Around Shakespeare (2013)Radical Tragedy: Religion, Ideology, and Power in the Drama of Shakespeare and His Contemporaries (1985)The Emergence of Poetic Genre Theory in the Sixteenth Century (1998)The assimilation of Aristotle'sPoeticsin sixteenth-century Italy (1999)The two books of homilies appointed to be read in churches (1859)Radical Tragedy: Religion, Ideology and Power in the Drama of Shakespeare and his Contemporaries. (1985)CALVINISM AND THE ENGLISH CHURCH 1570?1635 (1987)Is Marlowe a Marxist? The Economic Reformation of Magic inDoctor Faustus (2012)The Theater of the Damned: Religion and the Audience in the Tragedy of Christopher Marlowe (2012)The Second Sex (1949)Gender: A Useful Category of Historical Analysis (1986)Gender and the Politics of History (1988)Fielding and Italian Opera (2009)‘An exotic and irrational entertainment’: opera and our others; opera as other (2012)The rival sirens: performance and identity on Handel's operatic stage (2014)CRITICAL PRACTICE (1980)Political Shakespeare: New Essays in Cultural Materialism (1986)The Subject of Tragedy: Identity and Difference in Renaissance Drama (1987)“So our virtues lie in the’interpretation of the time” (1994)Shakespeare and Republicanism (2005):Shakespeare and Republicanism (2007)Against Our Will: Men, Women and Rape (1978)Toward a feminist theory of the state (1990)You just don't understand : women and men in conversation (1992)Material / Blackness: Race and Its Material Reconstructions on the Seventeenth-Century English Stage (2017)The dialectics of honour and shame in Middleton’sThe Changelingand contemporary Palestine (2020)Staging Disgust (2024)
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  • 1992Son of Bashing the bourgeois subject17 cited
  • 2011Re-reading Rape in The Changeling16 cited
  • 1994Gendering opera: Italian opera as the feminine other in Britain, 1700–4212 cited
  • 1995Doctor Faustus:The predestination theory11 cited
  • 1991AGAINST THE GRAIN: REPRESENTING THE MARKET INCORIOLANUS6 cited
  • 2007Marlowe'sDidoand the Staging of Catharsis2 cited

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