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Mindscreen: Bergman, Godard, and First-Person Film
0 references·7 citing·27 second hop
Mindscreen: Bergman, Godard, and First-Person Film (1980)Mindscreen: Bergman, Godard, and First-Pe…Ovid on Screen (2020)Ovid on ScreenDouble Vision: Adaptation, the Uncanny andInvasion of the Body Snatchers (2020)Double Vision: Adaptation, th…Cinematic Free Indirect Style: Represented Memory in Hiroshima mon amour (2011)Cinematic Free Indirect Style…A philosophy of cinematic art (2010)A philosophy of cinematic artThe Philosophy of the Movies: Cinematic Narration (2004)The Philosophy of the Movies:…The Face of Tragedy: From Theatrical Mask to Cinematic Close-up (2002)The Face of Tragedy: From The…Music as Spiritual Metaphor in the Cinema of Ingmar Bergman (1996)Music as Spiritual Metaphor i…Languages of Art (1976)Story and Discourse: Narrative Structure in Fiction and Film (1979)Narration in the Fiction Film (1986)The music of the goth subculture: Postmodernism and aesthetics (2008)Why We Should Give Up on the Imagination (2010)Film, Literature and Non-Cognitive Affect (2011)Is There a Text in This Class? The Authority of Interpretive Communities (1983)Hamlet on the holodeck: the future of narrative in cyberspace (1997)The Language of New Media (2002)Automatism, Causality and Realism: Foundational Problems in the Philosophy of Photography (2008)Cinema, Philosophy, Bergman (2009)Cinema, Philosophy, Bergman: On Film as Philosophy (2009)Transparent Minds: Narrative Modes for Presenting Consciousness in Fiction (1981)Cinema 1: The Movement-Image (1987)Narration in Light: Studies in Cinematic Point of View. (1987)Film Form: Essays in Film Theory (1949)THEORY OF FILM: The Redemption of Physical Reality (1965)Greek Tragedy in Action (1978)The Bach Reader. A Life of Johann Sebastian Bach in Letters and Documents (1945)Existence and faith : shorter writings of Rudolf Bultmann. (1964)The Passion of Ingmar Bergman (1986)The Standard Edition of the Complete Psychological Works of Sigmund Freud (1953)Difference and repetition (1994)Narratology: introduction to the theory of narrative (1998)The Address of the Eye (1992)A Theory of Adaptation (2006)The Monstrous-Feminine (2015)
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Cited by

  • 2010A philosophy of cinematic art137 cited
  • 2004The Philosophy of the Movies: Cinematic Narration27 cited
  • 2002The Face of Tragedy: From Theatrical Mask to Cinematic Close-up22 cited
  • 2020Ovid on Screen13 cited
  • 2011Cinematic Free Indirect Style: Represented Memory in Hiroshima mon amour6 cited
  • 1996Music as Spiritual Metaphor in the Cinema of Ingmar Bergman4 cited
  • 2020Double Vision: Adaptation, the Uncanny andInvasion of the Body Snatchers3 cited

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