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Cited by

• 2019The Concept of Nature in Early Modern English Literature35 cited
• 2005Keynes, the Arts, and the State29 cited
• 2000The Work of Alchemy17 cited
• 1978Eve’s Flesh and Blood in Jonson’s Bartholomew Fair12 cited
• 2006Marking Difference and National Identity in Dekker's The Shoemaker's Holiday11 cited
• 1993The Trickster-Figure in Jacobean City Comedy9 cited
• 1989The Sociology of the Theatre, Part One: Problems and Perspectives8 cited
• 2014Jonson’s Universal Parasite: Patronage and Embodied Critique in “To Penshurst”7 cited
• 2007The Character of Credit and the Problem of Belief in Middleton's City Comedies7 cited
• 2011Foreign and Native on the English Stage, 1588-1611: Metaphor and National Identity6 cited
• 1979Poetry and power in Ben Jonson'sEpigrammes: The naming of ‘facts’ or the figuring of social relations?5 cited
• 1992Contemporary Contexts of Jonson's The Devil Is an Ass4 cited
• 1991'A happy rural seat': Milton's Paradise Lost and the English country house poem3 cited