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Cited by

• 2010Creativity East and West: Perspectives and Parallels241 cited
• 2015Blowing your own Trumpet: Exploring the Gendered Dynamics of Self-Promotion in the Classical Music Profession83 cited
• 2011‘The Condition of M ozart ’: Mozart Year 2006 and the New Vienna46 cited
• 2011Introduction to the Special Issue: The Ethnomusicology of Western Art Music40 cited
• 2014The west and the rest of classical music: Asian musicians in the Finnish media coverage of the 1995 Jean Sibelius Violin Competition31 cited
• 2021From Unspeakability to Inequality Talk: Why Conversations about Inequalities May Not Lead to Change19 cited
• 2019The Culture of White Space, the Racialized Production of Meaning, and the Jamband Scene18 cited
• 2010Japan's Early Twentieth-Century Violin Boom17 cited
• 2017Talent development in Chinese and Swiss music students16 cited
• 2022“A Man Is Practically the General Norm” – A Case Study of Gender Inequality and Whiteness in the Classical Music Scene in Finland12 cited
• 2022Beyond the Icon: Asian American Graphic Narratives10 cited
• 2024Toward a sociological explanation of anxiety: Precariousness, class and gender among independent musicians8 cited
• 2018Western classical music in a non-Western culture: The repertoires of Japanese professional orchestras in the twentieth century