:Carnival and the Carnivalesque: The Fool, the Reformer, the Wildman, and Others in Early Modern Theatre

Abstract

Konrad EISENBICHLER: Introduction. Peter H. GREENFIELD: The Carnivalesque in the Robin Hood Games and King Ales of Southern England. Roberta MULLINI: 'Better be sott Somer than Sage Salamon': Carnivalesque Features in John Heywood's Plays. Samuel KINSER: Why Is Carnival So Wild? James R. ERB: Fictions, Realities and the Fifteenth-Century Nuremberg Fastnachtspiel. Leif SONDERGAARD: The Judgement of Paris: Three Late Medieval Fastnachtspiele from Northern Europe. Guy BORGNET: Jeu de Carnaval et Antisemitisme: Purete Theologique et Purete Ethnique chez Hans Folz. Juliette VALCKE: La Satire Sociale dans le Repertoire de la Mere Folle de Dijon. Maria Jose PALLA: Carnaval, Parvo et Monde a l'Envers chez Gil Vicente. Manuel J. GOMEZ LARA & Jorge Jimenez BARRIENTOS: Carnivalesque Iconography in Early Baroque. Festivals of the Immaculate Conception in Seville: A World Turned Inside Out. Inaki MOZOS MUXIKA: Le Theatre Basque de Carnaval et son Contexte Historique. Jordi BERTRAN: Rural Carnival in the Catalan-Speaking Countries: the Survival of Early Popular Drama. Josep M. MARTORELL COCA: Approche du Comique Carnavalesque dans le Theatre Populaire Catalan de Source Medievale. Thomas PETTITT: New World Traditions in the Study of Early English Custom and Customary Drama.

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