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Analytical and Cross-Cultural Studies in World Music
1 references·10 citing·40 second hop
Analytical and Cross-Cultural Studies in World Music (2011)Analytical and Cross-Cultural Studies in …Musical Form and Style in Murriny Patha Djanba Songs at Wadeye (Northern Territory, Australia) (2011)Musical Form and Style in Mur…The Many Paths of Decolonization (2022)The Many Paths of Decolonizat…New Mediums, Better Messages? (2022)New Mediums, Better Messages?The Sounds of Development: Musical Representation as A(nother) Source of Development Knowledge (2021)The Sounds of Development: Mu…Experiencing Chen Yi’s Music: Local and Cosmopolitan Reciprocities in Ning for Pipa, Violin and Cello (2002) (2020)Experiencing Chen Yi’s Music:…Transforming African Musical Cycles (2017)Transforming African Musical …Improvisation, Creativity, and Agency in South Indian Temple Rāga Performance (2017)Improvisation, Creativity, an…Occitan Music Revitalization as Radical Cultural Activism: From Postcolonial Regionalism to Altermondialisation (2016)Occitan Music Revitalization …Worldview Formation of the Teacher-musician Personality in the Higher Education System (2015)Worldview Formation of the Te…Forum on Transcription (2014)Forum on TranscriptionArhai’s Balkan folktronica: Serbian ethno music reimagined for British market (2014)Arhai’s Balkan folktronica: S…The Culture of Power in Serbia: Nationalism and the Destruction of Alternatives (2000)Music and the Global Order (2004)Urban folk music and cultural influences: Labels for narodna muzika (folk music) in Serbia in the twentieth century (2019)The Balkans of the Balkans: The Meaning of Autobalkanism in Regional Popular Music (2020)World Music: A Very Short Introduction (2020)Legal Aliens: Serbian Composers in Western Europe Today (2022)On Education (2005)Musical Understandings and Other Essays on the Philosophy of Music (2011)Absolute music: the history of an idea (2014)The Study of Ethnomusicology: Twenty-Nine Issues and Concepts (1985)After Method: Mess in Social Science Research (2004)You are not a gadget: a manifesto (2010)Capturing the Ineffable (2016)Subjective (Re)positioning in Musical Improvisation (2017)Functions of Expressive Timing in Hip-Hop Flow (2022)Imagined Communities. Reflections on the Origin and Spread of Nationalism (1985)Imagined communities: Reflections on the origin and spread of nationalism (1995)The Archive and the Repertoire: Performing Cultural Memory in the Americas (2003)La Pensée sauvage (1962)Thinking in jazz: the infinite art of improvisation (1995)A study of variability in raga motifs in performance contexts (2021)Creativity and Cultural Improvisation (2021)The Structural Study of Myth (1955)Generalized Musical Intervals and Transformations (1988)The African Imagination in Music (2016)The Black Atlantic: Modernity and Double Consciousness (1994)The Black Atlantic: Modernity and Double Consciousness. (1997)Culture and Public Action (2004)The time of music: new meanings, new temporalities, new listening strategies (1989)Structural Analysis or Cultural Analysis? Competing Perspectives on the “Standard Pattern” of West African Rhythm (2006)Representing African music: postcolonial notes, queries, positions (2008)Settler colonialism and the elimination of the native (2006)Red Skin, White Masks (2010)Decolonization is not a metaphor (2012)Style and music: theory, history, and ideology (1990)Wording, Meaning, and Linguistic Ideology (1990)The Languages of Australia (2011)The social organisation of Wadeye's heavy metal mobs (2013)Listening to Heavy Metal in Wadeye (2014)The Oxford Guide to Australian Languages (2023)
this work references cited by second hop

References

  • 2011Musical Form and Style in Murriny Patha Djanba Songs at Wadeye (Northern Territory, Australia)101 cited

Cited by

  • 2022The Many Paths of Decolonization18 cited
  • 2014Forum on Transcription18 cited
  • 2017Transforming African Musical Cycles12 cited
  • 2014Arhai’s Balkan folktronica: Serbian ethno music reimagined for British market9 cited
  • 2017Improvisation, Creativity, and Agency in South Indian Temple Rāga Performance5 cited
  • 2021The Sounds of Development: Musical Representation as A(nother) Source of Development Knowledge5 cited
  • 2015Worldview Formation of the Teacher-musician Personality in the Higher Education System4 cited
  • 2020Experiencing Chen Yi’s Music: Local and Cosmopolitan Reciprocities in Ning for Pipa, Violin and Cello (2002)4 cited
  • 2016Occitan Music Revitalization as Radical Cultural Activism: From Postcolonial Regionalism to Altermondialisation3 cited
  • 2022New Mediums, Better Messages?2 cited

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