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Catch and glee culture in eighteenth-century England
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  • 2009The Cambridge History of Eighteenth-Century Music76 cited
  • 2012Vocal performance in the seventeenth century56 cited
  • 2012The Cambridge History of Musical Performance46 cited
  • 2016‘YONG BEGINNERS, WHO LIVE IN THE COUNTREY’: JOHN PLAYFORD AND THE PRINTED MUSIC MARKET IN SEVENTEENTH-CENTURY ENGLAND42 cited
  • 2019The Cambridge Haydn Encyclopedia18 cited
  • 2018Mozart and Freemasonry16 cited
  • 2012The performer and the composer10 cited
  • 2012Instrumental performance in the nineteenth century6 cited
  • 2012Vocal performance in the nineteenth century6 cited
  • 2012Performance in the ‘long eighteenth century’: an overview5 cited
  • 2012Instrumental performance in the twentieth century and beyond5 cited
  • 2005Publishing Music from the Fitzwilliam Museum, Cambridge: The Work of Vincent Novello and Samuel Wesley in the 1820s4 cited
  • 2012Vocal performance in the Renaissance3 cited
  • 2012The teaching of performance2 cited
  • 2012Performance in the Renaissance: an overview2 cited

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2018
Mozart’s Influence on Nineteenth-Century Composers
2 cited