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• 2010Markers for Identification of Faded Safflower (Carthamus tinctoriusL.) Colorants by HPLC-PDA-MS - Ancient Fibres, Pigments, Paints and Cosmetics Derived from Antique Recipes49 cited
• 2011Spectroscopic and chromatographic analysis of yellow flavonoidic lakes: Quercetin chromophore43 cited
• 2009Evaluation of Raman and SERS analytical protocols in the analysis of Cape Jasmine dye (Gardenia augusta L.)36 cited
• 2004Coloured Prints of the 16th Century: Non‐Destructive Analyses on Coloured Engravings from Albrecht DÜrer and Contemporary Artists32 cited
• 2011The unprecedented identification of Safflower dyestuff in a 16th century tapestry through the application of a new reliable diagnostic procedure31 cited
• 2001Technical Examination of a Fifteenth-Century German Illuminated Manuscript on Paper: A Case Study in the Identification of Materials31 cited
• 2014Searching for blue: Experiments with woad fermentation vats and an explanation of the colours through dye analysis30 cited
• 2017Fast direct detection of natural dyes in historic and prehistoric textiles by flowprobe™-ESI-HRMS27 cited
• 2006The de Brécy Madonna and Child tondo painting: a Raman spectroscopic analysis26 cited
• 2016Textile technology in Nepal in the 5th-7th centuries CE: the case of Samdzong26 cited
• 2008Application of high-performance separation techniques in archaeometry25 cited
• 2016Surface-Enhanced Raman Spectroscopy: Using Nanoparticles to Detect Trace Amounts of Colorants in Works of Art