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The Colonising camera: photographs in the making of Namibian history
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  • 2007Archaeology dreaming63 cited
  • 2014THE AFFECTIVE, THE INTELLECTUAL, AND GENDER HISTORY29 cited
  • 2002‘Picturing the Past’ in Namibia: The Visual Archive and its Energies25 cited
  • 2002Literature and the Archive: The Biography of Texts24 cited
  • 2012The presentation of Bushmen in cultural tourism: tourists’ images of Bushmen and the tourism provider's presentation of (Hai//om) Bushmen at Treesleeper Camp, Namibia22 cited
  • 2013Deutsche Heimat in Afrika: Colonial Revisionism and the Construction of Germanness through Photography22 cited
  • 2002Flags, funerals and fanfares: Herero and missionary contestations of the acceptable, 1900-194020 cited
  • 2015THE UNEVEN CITIZENRY OF PHOTOGRAPHY: READING THE “POLITICAL ONTOLOGY” OF PHOTOGRAPHY FROM SOUTHERN AFRICA19 cited
  • 2004Modesty and Modernity: Photography, Race, and Representation on Mexico’s Costa Chica (Guerrero)117 cited
  • 2004The Changing Body in Southern Africa — A Perspective from Ethnomusicology13 cited
  • 2013‘Showing-Off Aesthetics’: Looking Good, Making Relations and ‘Being in the World’ in the London Akan Diaspora12 cited
  • 2012Baby culture and the curriculum of consumption: a critical reading of the filmBabies9 cited
  • 2015Architectural Space in Windhoek, Namibia: Fortification, Monumentalization, Subversion5 cited

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  • 2023Residual Repertoire: Black Geo-Aesthetics after the Mine5 cited
  • 2019The Ethical Challenges of Photography in a Black and White World3 cited
  • 2023Wild views on sale: commercialization of visual encounters in Namibian wildlife conservation3 cited