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Music, Discipline, and Arms in Early Modern France
0 references·16 citing·38 second hop
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Cited by

  • 2006Dance and the Political: States of Exception86 cited
  • 2019The Cambridge History of Sixteenth-Century Music52 cited
  • 2015The Cambridge Companion to French Music33 cited
  • 2012“By Instruments her Powers Appeare”: Music and Authority in the Reign of Queen Elizabeth I26 cited
  • 2019Music in the Early Colonial World24 cited
  • 2010Music and Conflict: Interdisciplinary Perspectives24 cited
  • 2015The Renaissance21 cited
  • 2011FIRE, FOLIAGE AND FURY: VESTIGES OF MIDSUMMER RITUAL IN MOTETS FOR JOHN THE BAPTIST18 cited
  • 2017The Patronage Politics of Equestrian Ballet: Allegory, Allusion, and Satire in the Courts of Seventeenth-Century Italy and France18 cited
  • 2015Asking the question: is martial arts studies an academic field?15 cited
  • 2017Music, Horses, and Exotic Others: Early-Modern Processions, Tournaments, and Pageants14 cited
  • 2015Music under Louis XIII and XIV, 1610–171513 cited
  • 2015From abbey to cathedral and court: music under the Merovingian, Carolingian and Capetian kings in France until Louis IX12 cited
  • 2012War and Seduction in Cybele’s Garden: Contextualizing the Ballet des Polonais10 cited

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2010
Making Sense and Senses of Locale through Perceptions of Music and Dance in Malang, East Java
9 cited
  • 2015Recent Trends in the Study of Music of the Fourteenth, Fifteenth, and Sixteenth Centuries7 cited