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Not Quite (Pearl) White: Fearless Nadia, queen of the stunts
0 references·6 citing·18 second hop
Not Quite (Pearl) White: Fearless Nadia, queen of the stunts (2005)Not Quite (Pearl) White: Fearless Nadia, …White Skin/Brown Masks: The Case of ‘White’ Actresses From Silent to Early Sound Period in Bombay (2019)White Skin/Brown Masks: The C…Thieves of Bombay: United Artists, Colonial Copyright, and Film Piracy in the 1920s (2014)Thieves of Bombay: United Art…FILM DANCE, FEMALE STARDOM, AND THE PRODUCTION OF GENDER IN POPULAR HINDI CINEMA (2014)FILM DANCE, FEMALE STARDOM, A…‘Bollywood’s fourth Khan’: deconstructing the ‘hatke’ stardom of Vidya Balan in popular Hindi cinema (2014)‘Bollywood’s fourth Khan’: de…“The Face that Launched a Thousand Ships”: Helen and Public Femininity in Hindi Film (2013)“The Face that Launched a Tho…Bollywood Cinema at the Crossroads: Tracking the Dimensions of Globalization in Postcolonial Popular Hindi Cinema (2011)Bollywood Cinema at the Cross…Basic Content Analysis (1990)Modernity at Large: Cultural Dimensions of Globalization. (1998)The structural transformation of the public sphere (2006)Exporting Entertainment: America in the World Film Market, 1907-34 (1987)The transformation of cinema, 1907-1915 (1991)The Culture of the Copy (1996)Bollywood cinema: temples of desire (2002)The cinematic imagiNation: Indian popular films as social history (2003)Economic and Political Weekly (2017)A Thousand Plateaus: Capitalism and Schizophrenia (1989)Real and Imagined Women (2003)Bollywood in the Age of New Media (2010)“Fat Woman in a Car” (2017)Lifestyle as Resistance: The Case of the Courtesans of Lucknow, India (1990)Gender Trouble: Feminism and the Subversion of Identity (1991)Women in Modern India (1996)Recasting Women: Essays in Indian Colonial History (1992)The Production of Space (1992)
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  • 2013“The Face that Launched a Thousand Ships”: Helen and Public Femininity in Hindi Film11 cited
  • 2011Bollywood Cinema at the Crossroads: Tracking the Dimensions of Globalization in Postcolonial Popular Hindi Cinema8 cited
  • 2014‘Bollywood’s fourth Khan’: deconstructing the ‘hatke’ stardom of Vidya Balan in popular Hindi cinema7 cited
  • 2014FILM DANCE, FEMALE STARDOM, AND THE PRODUCTION OF GENDER IN POPULAR HINDI CINEMA7 cited
  • 2019White Skin/Brown Masks: The Case of ‘White’ Actresses From Silent to Early Sound Period in Bombay6 cited
  • 2014Thieves of Bombay: United Artists, Colonial Copyright, and Film Piracy in the 1920s5 cited

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