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The Figure of the Crowd in Early Modern London: The City and Its Double
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The Figure of the Crowd in Early Modern London: The City and Its Double (2009)The Figure of the Crowd in Early Modern L…“Breathe Less, and Farther Off”: The Hazardous Proximity of Other Bodies in Jonson’s The Alchemist (2018)“Breathe Less, and Farther Of…Shakespeare, Popularity and the Public Sphere (2017)Shakespeare, Popularity and t…Pageantry and power (2017)Pageantry and powerLudic maps and capitalist spectacle in Rio de Janeiro (2015)Ludic maps and capitalist spe…Collective Minds in Fact and Fiction: Intermental Thought and Group Consciousness in Early Modern Narrative (2014)Collective Minds in Fact and …‘What say the citizens’ in Shakespeare’s Richard III? (2013)‘What say the citizens’ in Sh…The city out of breath: Jacobean city comedy and the odors of restraint (2012)The city out of breath: Jacob…Questioning Bodies in Shakespeare’s Rome (2010)Questioning Bodies in Shakesp…Signs of the Crimes: Topography, Murder, and Early Modern Domestic Tragedy (2007)Signs of the Crimes: Topograp…THE MORAL ECONOMY OF THE ENGLISH CROWD IN THE EIGHTEENTH CENTURY (1971)The Dialogic Imagination: Four Essays (1981)The Dialogic Imagination: Four Essays (1982)The City of London (1992)Craig Muldrew. The Economy of Obligation: The Culture of Credit and Social Relations in Early Modern England. (Early Modern History: Society and Culture.) New York: St. Martin’s Press. 1998. Pp. xvii, 453. $69.95. ISBN 0-312-21565-7. (2001)Earthly necessities: economic lives in early modern Britain (2001)Mimesis and alterity: a particular history of the senses (1993)New Globalism, New Urbanism: Gentrification as Global Urban Strategy (2002)Vital properties and Afro-Brazilian lives: on promiscuities of gentrification and personhood in Salvador, Bahia’s Pelourinho Historical Center (2018)Barrio BravoTransformed: Tourism, Cultural Politics, and Image Making in Mexico City (2019)Rabelais and his world (2020)URBAN CELEBRATION IN A BRAZILIAN FAVELA : From an Art Festival to a Youth Movement (2022)The Children of Paul's: The Story of a Theatre Company, 1553-1608 (1987)Contours of death and disease in early modern England (1997)Select English Works of John Wyclif (2010)Airy Agency in Early Modern English Drama: Ho Trilogy (2019)The Subject of Tragedy: Identity and Difference in Renaissance Drama (1987)5. The Practice of Everyday Life (2000)“MY FEET SEE BETTER THAN MY EYES”: SPATIAL MASTERY AND THE GAME OF MASCULINITY IN ARDEN OF FAVERSHAM 'S AMPHITHEATRE (2012)THE PRACTICE OF EVERYDAY LIFE (2018)Shakespeare's Domestic Tragedies (2019)Shakespeare's Domestic Tragedies: Violence in the Early Modern Home (2019)Making Sex: Body and Gender from the Greeks to Freud (1994)Homo Sacer: Sovereign Power and Bare Life (2000)Discipline and Punish: The Birth of the Prison (2020)The Theory of Social and Economic Organization. (1948)The structural transformation of the public sphere: an inquiry into a category of bourgeois society (1990)The Human Condition (1998)The Tyrant’s Vein: Misrule and Popularity in the Elizabethan Playhouse (2020)Playgoing in Shakespeare's London. (1988)Londinopolis: essays in the cultural and social history of early modern London (2005)The Shakespearean Stage 1574–1642 (2009)Staying Power. The History of Black People in Britain (1985)Collective remembering (1990)Dust : the archive and cultural history (2001)Reading the Royal Entry (1604) in/as Print (2017)
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  • 2017Shakespeare, Popularity and the Public Sphere19 cited
  • 2007Signs of the Crimes: Topography, Murder, and Early Modern Domestic Tragedy17 cited
  • 2014Collective Minds in Fact and Fiction: Intermental Thought and Group Consciousness in Early Modern Narrative17 cited
  • 2010Questioning Bodies in Shakespeare’s Rome14 cited
  • 2015Ludic maps and capitalist spectacle in Rio de Janeiro8 cited
  • 2017Pageantry and power5 cited
  • 2018“Breathe Less, and Farther Off”: The Hazardous Proximity of Other Bodies in Jonson’s The Alchemist4 cited
  • 2013‘What say the citizens’ in Shakespeare’s Richard III?3 cited
  • 2012The city out of breath: Jacobean city comedy and the odors of restraint3 cited

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