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Strange Fascination: David Bowie: The Definitive Story
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Strange Fascination: David Bowie: The Definitive Story (1999)Strange Fascination: David Bowie: The Def…Lonely Starmen, Young Americans, and China Girls: David Bowie’s Critical Sexualities (2018)Lonely Starmen, Young America…‘Who can I be now?’: David Bowie’s Vocal Personae (2018)‘Who can I be now?’: David Bo…Wrapped in stardust: glam rock and the rise of David Bowie as pop entrepreneur (2017)Wrapped in stardust: glam roc…Bowie musicology: mapping Bowie’s sound and music language across the catalogue (2017)Bowie musicology: mapping Bow…Consumer storytelling of brand archetypal enactments (2015)Consumer storytelling of bran…Ch-ch-ch-ch-changes: David Bowie Is and the Stream of Warm Impermanence (2013)Ch-ch-ch-ch-changes: David Bo…Plumbing the Surface of Sound and Vision (2012)Plumbing the Surface of Sound…“Give a man a mask and he’ll tell the truth”: Arnold Schoenberg, David Bowie, and the Mask of Pierrot (2011)“Give a man a mask and he’ll …Subjectivity In American popular metal: contemporary gothic, the body, the grotesque, and the child (2009)Subjectivity In American popu…Undead Fashion (2007)Undead FashionPLAYING DRESS UP: (2007)PLAYING DRESS UP:The Standard Edition of the Complete Psychological Works of Sigmund Freud (1953)Performative Acts and Gender Constitution : An Essay in Phenomenology and Feminist Theory (1988)Beyond the Pleasure Principle (2015)Bowie the cultural alchemist: performing gender, synthesizing gesture and liberating identity (2017)Image-Music-Text (1977)Postmodernism, or, The cultural logic of late capitalism (1991)The postmodern condition (1994)Possessions and the Extended Self (1988)Conceptualizing, Measuring, and Managing Customer-Based Brand Equity (1993)Consumers and Their Brands: Developing Relationship Theory in Consumer Research (1998)Vegan stories: revealing archetypes and their moral foundations (2020)The Presentation of Self in Everyday Life. (1956)Modernity and Self-Identity: Self and Society in the Late Modern Age (2020)Mechanical and artificial ‘nü-horror metal’: The film music of Resident Evil (2022)Questions of Cultural Identity (1997)Representation: Cultural representations and signifying practices. (1997)Distinction: A Social Critique of the Judgement of Taste* (2018)Heavenly Bodies: Film Stars and Society (1987)Subculture: The Meaning of Style (1995)Subculture (2010)Hebdige, Punk and the Post-subcultural Meaning of Style (2020)Studying Popular Music (1990)Studying Popular Music (1991)Performing rites: on the value of popular music (1997)Simulacra and Simulation (1995)No Future (2004)No Future: Queer Theory and the Death Drive (2004)Distinction: A Social Critique of the Judgement of Taste. (1985)A Thousand Plateaus: Capitalism and Schizophrenia (1989)Historically-inspired dress as a personal style choice (2011)
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  • 2015Consumer storytelling of brand archetypal enactments18 cited
  • 2012Plumbing the Surface of Sound and Vision8 cited
  • 2017Bowie musicology: mapping Bowie’s sound and music language across the catalogue6 cited
  • 2017Wrapped in stardust: glam rock and the rise of David Bowie as pop entrepreneur4 cited
  • 2018‘Who can I be now?’: David Bowie’s Vocal Personae3 cited
  • 2018Lonely Starmen, Young Americans, and China Girls: David Bowie’s Critical Sexualities3 cited
  • 2009Subjectivity In American popular metal: contemporary gothic, the body, the grotesque, and the child3 cited
  • 2013Ch-ch-ch-ch-changes: David Bowie Is and the Stream of Warm Impermanence2 cited
  • 2007PLAYING DRESS UP:2 cited
  • 2007Undead Fashion2 cited
  • 2011“Give a man a mask and he’ll tell the truth”: Arnold Schoenberg, David Bowie, and the Mask of Pierrot2 cited

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