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Blackframes: critical perspectives on Black independent cinema
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  • 2010White Women, Race Matters256 cited
  • 2021Cultural Identity and Diaspora [1990]93 cited
  • 1996The Narrative Production of “Home,” Community, and Political Identity in Asian American Theater67 cited
  • 1996Between and among the boundaries of culture: Bridging text and lived experience in the third timespace57 cited
  • 1996The Figure of the X40 cited
  • 1996“Cultural Defense” and Criminological Displacements38 cited
  • 2012Avtar Brah's Cartographies: Moment, Method, Meaning30 cited
  • 1996Anzaldua’s Frontera28 cited
  • 2011The present of forgetting: diasporic identity and migrant domestic workers in Hong Kong28 cited
  • 2012Semilingualism, Double Monolingualism and Blurred Genres - On (Not) Speaking a Legitimate Language26 cited
  • 1999An Aesthetic Appropriate to Conditions: Killer of Sheep, (Neo)Realism, and the Documentary Impulse26 cited
  • 1996Blowups in the Borderzones24 cited
  • 1994The ties that bind: Cinematic representations by black women filmmakers23 cited
  • 1992People of the Great Sandface14 cited
  • 2015Locating History within Fiction's Frame: Re-presenting theEpopée Delgrèsin Maximin and Lara

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9 cited
  • 1991Eurocentrism, afrocentrism, polycentrism: Theories of third cinema9 cited