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Cited by

• 2009Engraved ochres from the Middle Stone Age levels at Blombos Cave, South Africa637 cited
• 2007The Emergence of Ornaments and Art: An Archaeological Perspective on the Origins of “Behavioral Modernity”359 cited
• 2014Finding a Common Bandwidth: Causes of Convergence and Diversity in Paleolithic Beads109 cited
• 2012Emergent Patterns of Creativity and Innovation in Early Technologies79 cited
• 2006Sexual dimorphism in Upper Palaeolithic hand stencils66 cited
• 2013Late Pleistocene leopards across Europe – northernmost European German population, highest elevated records in the Swiss Alps, complete skeletons in the Bosnia Herzegowina Dinarids and comparison to the Ice Age cave art51 cited
• 2015Reflections on the Identities and Roles of the Artists in European Paleolithic Societies47 cited
• 2017Cultural spaces inside and outside caves: a study in Guam, western Micronesia26 cited
• 2007Representation and Recursion in the Archaeological Record25 cited
• 2008Paleolithic Art Studies at the Beginning of the Twenty-First Century: A Loss of Innocence19 cited
• 2011COLUMBIAN MAMMOTH PETROGLYPHS FROM THE SAN JUAN RIVER NEAR BLUFF, UTAH, UNITED STATES17 cited
• 2019Evolution and the Origins of Visual Art: An Archaeological Perspective10 cited
• 2014Against Chauvet-nism. A critique of recent attempts to validate an early chronology for the art of Chauvet Cave