Nordic explorations : film before 1930

Abstract

Introduction1. Denmark A Small Danish Player in a Big Market: A/S Filmfabriken Danmark's Output in Russia, 1913-1917, by Jan Nielsen Nordisk Films Kompagni and the First World War, by Thomas C. Christensen Red Satan: Carl Theodor Dreyer and the Bolshevik Threat, by Casper Tybjerg Benjamin Christensen in Germany: The Critical Reception of His Films in the 1910s and 1920s, by Ib Monty Palladium and the Silent Films with 'Long and Short', by Marguerite Engberg A la recherche des films perdus: A Substantial Find of Early Danish Cinema, by Bo Berglund2. FinlandBorn Under the Sign of the Scarlet Flower: Pantheism in Finnish Silent Cinema, by Antti Alanen Silents for a Silent People, by Peter von Bagh3. NorwaySisters of Cinema: Three Norwegian Actors and their German Film Company, 1917-1920, by Gunnar Iversen Travel Films in Norway: The Persistence of the 'View' Aesthetic, by Bjorn Sorenssen Caricatures, Cartoons and Advertisements: The Pioneers of Nordic Animated Film, by Gunnar Strom4. Sweden Exchange and Exhibition Practices: Notes on the Swedish Market in the Transitional Era, by Jan Olsson Educational Cinema and Censorship in Sweden, 1911-1921, by Asa Jernudd Seeing the World with Different Eyes, or Seeing Differently: Cinematographic Vision and Turn-of-the-Century Popular Entertainment, by John Fullerton Towards Classical Narration? Georg af Klercker in Context, by Astrid Soderbergh Widding 'A Dangerous Pledge': Victor Sjostrom's Unknown Masterpiece, Masterman, by Tom Gunning Spearhead in a Blind Alley: Viking Eggeling's Diagonal Symphony, by Gosta Werner Snow-White: The Aesthetic and Narrative Use of Snow in Swedish Silent Film, by Marina Dahlquist Victor Goes West: Notes on the Critical Reception of Sjostrom's Hollywood Films, 1923-1930, by Bo Florin Industrial Greta: Some Thoughts on an Industrial Film, by Mats Bjorkin

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