Political and Religious Ideas in the Works of Arnold Schoenberg

Barry Salwen · Charlotte Cross · Russell A. Berman · Arnold Schoenberg

10 citations0/0 files storedGerman Studies Review

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Musicology and Musical Analysis German Literature and Culture Studies Literature, Musicology, and Cultural Analysis

Abstract

Editors' Introduction. Abstract Polyphonies: The Music of Schoenberg's Nietzschean Moment, William Benjamin. Arnold Schoenberg as Poet and Librettist: Dualism, Epiphany, and Die Jakobsleiter, David Schroeder. Androgyny and the Eternal Feminine in Schoenberg's Oratorio Die Jakobsleiter Jennifer Shaw. Von heute auf morgen: Schoenberg as Social Critic,Stephen Davison. Schoenberg in Shirtsleeves: The Male Choruses, Op. 35, Robert Falck. The Prophet and the Pitchman: Dramatic Structure and Its Musical Elucidation in Moses und Aron, Act I, Scene 2, Edward Latham. Schoenberg's Moses und Aron: A Vanishing Biblical Nation, Bluma Goldstein. Schoenberg Rewrites His Will: A Survivor from Warsaw, Op. 46,David Isadore Lieberman. Texts and Contexts of A Survivor from Warsaw, Op. 46, Camille Crittenden. Returning to a Homeland: Religion and Political Context in Schoenberg's Dreimal tausend Jahre, Naomi Andr. Schoenberg's Modern Psalm, Op.50c, and the Unattainable Ending, Mark Risinger

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2007Arnold Schoenberg's 'Biblical Way': From 'Die Jakobsleiter' to 'Moses Und Aron'2008Schoenberg as Moses and Aron 2007Analyses of Nineteenth- and Twentieth-Century Music, 1940-2000

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