References

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Cited by

• 2012The Cambridge Companion to Opera Studies67 cited
• 2012Vocal performance in the seventeenth century56 cited
• 2012The Cambridge History of Musical Performance46 cited
• 2015The Operatic Canon32 cited
• 2013Urban social space and the development of public dance hall culture in Vienna, 1780–181430 cited
• 2020Music and the Sonorous Sublime in European Culture, 1680–188026 cited
• 2015Delirious Hopes: Napoleonic Milan and the Rise of Modern Italian Operatic Criticism23 cited
• 2011The Making of the West End Stage: Marriage, Management and the Mapping of Gender in London, 1830–187020 cited
• 2013Introduction: music, the city and the modern experience19 cited
• 2011“All Together and All Distinct”: Public Sociability and Social Exclusivity in London's Pleasure Gardens, ca. 1740–180017 cited
• 2012‘Too much music’: the media of opera16 cited
• 2012The operatic event: opera houses and opera audiences13 cited
• 2012Opera and modes of theatrical production12 cited
• 2012Opera and the technologies of theatrical production12 cited
• 2012Introduction: opera studies today