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Appraising Moving Images: Assessing the Archival and Monetary Value of Film and Video Records
0 references·4 citing·14 second hop
Appraising Moving Images: Assessing the Archival and Monetary Value of Film and Video Records (2002)Appraising Moving Images: Assessing the A…Tondokumente als Informationsobjekte mit siginfikanten Eigenschaften? (2022)Tondokumente als Informations…MEDIA ARTS CENTERS AS ALTERNATIVE ARCHIVAL SPACES: INVESTIGATING THE DEVELOPMENT OF ARCHIVAL PRACTICES IN NON-PROFIT MEDIA ORGANIZATIONS (2014)MEDIA ARTS CENTERS AS ALTERNA…FROM EPHEMERAL TO LEGITIMATE: AN INQUIRY INTO TELEVISION'S MATERIAL TRACES IN ARCHIVAL SPACES, 1950s -1970s (2013)FROM EPHEMERAL TO LEGITIMATE:…Framers of the Kept: Against the Grain Appraisal of Ephemeral Moving Images (2008)Framers of the Kept: Against …Illuminations: Essays and Reflections (1968)Hard core: power, pleasure, and "the frenzy of the visible" (1990)Free culture: how big media uses technology and the law to lock down culture and control creativity (2004)“Canada lives here:” situating the CBC digital archives within the Canadian Broadcasting Corporation’s archival landscape (2017)"Internet Archive": la conservación de lo efímero (2017)Archaeology of Knowledge (1970)Archive Fever: A Freudian Impression (1995)The SAGE handbook of qualitative research (2005)‘Nothing is the same as something else’: significant properties and notions of identity and originality (2010)Advanced Digital Preservation (2011)Görsel-İşitsel Arşivleme: Felsefe ve İlkeler (2020)Case Study Research: Design and Methods (1984)Case study research methods (2000)Media Education: Literacy, Learning and Contemporary Culture (2003)
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  • 2008Framers of the Kept: Against the Grain Appraisal of Ephemeral Moving Images7 cited
  • 2014MEDIA ARTS CENTERS AS ALTERNATIVE ARCHIVAL SPACES: INVESTIGATING THE DEVELOPMENT OF ARCHIVAL PRACTICES IN NON-PROFIT MEDIA ORGANIZATIONS2 cited
  • 2013FROM EPHEMERAL TO LEGITIMATE: AN INQUIRY INTO TELEVISION'S MATERIAL TRACES IN ARCHIVAL SPACES, 1950s -1970s2 cited
  • 2022Tondokumente als Informationsobjekte mit siginfikanten Eigenschaften?1 cited

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