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Cited by

• 2007Perceptions of Accountants’ Ethics: Evidence from Their Portrayal in Cinema55 cited
• 2002In the Blood? Consent, Descent, and the Ironies of Jewish Identity29 cited
• 2013Jewishness, Whiteness, and Blackness onGlee: Singing to the Tune of Postracism24 cited
• 2000Anzia Yezierska and the Marketing of the Jewish Immigrant in 1920s Hollywood16 cited
• 2011Why Did Negroes Love Al Jolson and The Jazz Singer?: Melodrama, Blackface and Cosmopolitan Theatrical Culture15 cited
• 1992Sidney Lumet: film and literary vision15 cited
• 2022Max Steiner’s Jewish Identity and Score to Symphony of Six Million (1932)9 cited
• 2004Religion and Film: Part I: History and Criticism8 cited
• 2007Mel Brooks' The Producers : Tracing American Jewish Culture Through Comedy, 1967–20075 cited
• 1995"A Hero! Is Dot a Business?" Vaudeville Comedy and American Popular Entertainment3 cited
• 1997Class, Consumption, and Ethnic Performance in Vaudeville3 cited