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Repeating ourselves: American minimal music as cultural practice
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Cited by

  • 2018Music as a Technology of Surveillance144 cited
  • 2014Music and Ethical Responsibility120 cited
  • 2011Goal-Directed Soul? Analyzing Rhythmic Teleology in African American Popular Music62 cited
  • 2010Innovation and Selection: Symphony Orchestras and the Construction of the Musical Canon in the United States (1879-1959)55 cited
  • 2016Performance Practice in the Music of Steve Reich47 cited
  • 2011‘The Condition of M ozart ’: Mozart Year 2006 and the New Vienna46 cited
  • 2020After Debussy40 cited
  • 2014‘Sound Effects (O.K., Music)’: Steve Reich and the Visual Arts in New York City, 1966–196839 cited
  • 2012“Fun, Yes, but Music?” Steve Reich and the San Francisco Bay Area's Cultural Nexus, 1962–6537 cited
  • 2013Resonances : noise and contemporary music30 cited
  • 2015Songwriters and song lyrics: architecture, ambiguity and repetition26 cited
  • 2020Participatory performance in the secondary music classroom and the paradox of belonging25 cited
  • 2018Whose Refuge, This House?25 cited
  • 2009Ambient Literature and the Aesthetics of Calm: Mood Regulation in Contemporary Japanese Fiction23 cited

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2019
Boundaries of the New: American Classical Music at the Turn of the Millennium
22 cited
  • 2019Unmute This: Circulation, Sociality, and Sound in Viral Media17 cited