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Music as Thought
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  • 2017Irony and Incomprehensibility: Beethoven's “Serioso” String Quartet in F Minor, Op. 95, and the Path to the Late Style56 cited
  • 2011A Sublime Invasion: Meyerbeer, Balzac, and the Opera Machine49 cited
  • 2010Richard Wagner: Self-Promotion and the Making of a Brand48 cited
  • 2015Formation of Russian Musicology from Sacchetti to Asafyev, 1885-193142 cited
  • 2015Of Orchestras, Mythos, and the Idealization of Symphonic Practice: The Orquesta Sinfónica de Venezuela in the (Collateral) History of El Sistema34 cited
  • 2014BEETHOVEN AND THE SOUND OF REVOLUTION IN VIENNA, 1792–181433 cited
  • 2017Shakespeare for freedom why the plays matter23 cited
  • 2018Interesting Haydn: On Attention's Materials22 cited
  • 2011Louis Moreau Gottschalk’s Pan-American Symphonic Ideal18 cited
  • 2008INTEGRATING MUSIC INTO INTELLECTUAL HISTORY: NINETEENTH-CENTURY ART MUSIC AS A DISCOURSE OF AGENCY AND IDENTITY16 cited
  • 2018HOFFMANN'S MUSICAL MODERNITY AND THE PURSUIT OF SENTIMENTAL UNITY13 cited
  • 2016“Common Joys, Sorrows, Adventures, and Struggles”: Transnational Encounters in Amy Beach's “Gaelic” Symphony10 cited
  • 2013Musikwissenschaft als Kunstwissenschaft?6 cited
  • 2009Friedrich Schlegel's Romanticization of Music

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5 cited
  • 2019Carl Czerny's Mechanical Reproductions4 cited
  • 2012The concert hall as a medium of musical culture: the technical mediation of listening in the 19th century4 cited