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The rise of English provincial art: Artists, patrons, and institutions outside London, 1800-1830
0 references·4 citing·13 second hop
The rise of English provincial art: Artists, patrons, and institutions outside London, 1800-1830 (1974)The rise of English provincial art: Artis…The Purchase of the Past (2020)The Purchase of the PastDrawing after the Antique at the British Museum, 1809–1817: "Free" Art Education and the Advent of the Liberal State (2017)Drawing after the Antique at …Thomas Guest and Paul Nash in Wiltshire: Two Episodes in the Artistic Approach to British Antiquity (2005)Thomas Guest and Paul Nash in…Innovative Reproduction: Painters and Engravers at the Royal Academy of Arts (1994)Innovative Reproduction: Pain…The image of antiquity: ancient Britain and the romantic imagination (1995)People Make Fire: Archaeology and the Art of Sonja Stiefel (2008)RECONSTRUCTION ART AND DISCIPLINARY PRACTICE: ALAN SORRELL AND THE NEGOTIATION OF THE ARCHAEOLOGICAL RECORD (2014)Prints and Visual Communication (1953)Zur Soziologie der symbolischen Formen (1974)The Rise of English Nationalism: A Cultural History, 1740-1830 (1988)Great transformation: The political and economic origins of our time (1944)The New Spirit of Capitalism (2005)The Birth of Biopolitics: Lectures at the Collège de France, 1978-1979 (2008)The cultural biography of things: commoditization as process (1986)Futures past: on the semantics of historical time (1987)The Birth of the Museum: History, Theory, Politics (1996)Contesting collectors and conventions. An interdisciplinary approach to analyzing narrative identity in collectors’ museums (2023)
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Cited by

  • 2020The Purchase of the Past11 cited
  • 2005Thomas Guest and Paul Nash in Wiltshire: Two Episodes in the Artistic Approach to British Antiquity7 cited
  • 1994Innovative Reproduction: Painters and Engravers at the Royal Academy of Arts2 cited
  • 2017Drawing after the Antique at the British Museum, 1809–1817: "Free" Art Education and the Advent of the Liberal State2 cited

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