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Pop Music and the Press
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Pop Music and the Press (2002)Pop Music and the PressImprovisation and Value in Rock, 1966 (2020)Improvisation and Value in Ro…The online place of popular music: Exploring the impact of geography and social media on pop artists’ mainstream media attention (2016)The online place of popular m…Just Like Hendrix: Whiteness and the Online Critical and Consumer Reception of Rock Music in the United States, 2003–2013 (2015)Just Like Hendrix: Whiteness …Classifications in Popular Music (2015)Classifications in Popular Mu…Grunting Alone? Online Gender Inequality in Extreme Metal Music (2014)Grunting Alone? Online Gender…Editorial Introduction: Music Journalism (2014)Editorial Introduction: Music…Curating popular music: authority and history, aesthetics and technology (2014)Curating popular music: autho…“This Is Our Music”: Italian Teen Pop Press and Genres in the 1960s (2014)“This Is Our Music”: Italian …Scene through the Press: Rock Music and Underground Papers in London, 1966–73 (2011)Scene through the Press: Rock…Rock Journalists and Music Critics: A Selected Bibliography (2010)Rock Journalists and Music Cr…Change and Continuity in Newspaper Coverage of Popular Music since 1955: Evidence from the United States, France, Germany, and the Netherlands (2010)Change and Continuity in News…The Classification and Consecration of Popular Music: Critical Discourse and Cultural Hierarchies (2009)The Classification and Consec…Mapping the Music Industry in Scotland: A Report (2003)Mapping the Music Industry in…Policing the Crisis (1978)Policing the Crisis: Mugging, the State, and Law and Order (1978)We gotta get out of this place: popular conservatism and postmodern culture (1992)The Beatles and Sixties Britain (2020)Visual Pleasure and Narrative Cinema (1975)Men and Women of the Corporation (1978)Men and Women of the Corporation. (1978)Femininity in metal fanship: ‘I do not need to take anyone along’ (2021)The Field of Cultural Production (1994)Changing Highbrow Taste: From Snob to Omnivore (1996)The field of Cultural Production (2002)Comparing cultural classification : High and Popular Arts in European and U.S. Elite Newspapers, 1955-2005 (2011)From aesthetes to reporters: The paradigm shift in arts journalism in Finland (2011)Arts Journalism And Its Packaging In France, Germany, The Netherlands And The United States, 1955–2005 (2015)Purity and Danger: An Analysis of Concepts of Pollution and Taboo (1967)Birds of a Feather: Homophily in Social Networks (2001)Konsekration auf Kredit (2014)Distinction: A Social Critique of the Judgement of Taste* (2018)Archaeology of Knowledge (1970)Performing Rites (1996)The Audible Past (2003)Sonic Artefacts: "Record Collecting" in the Digital Age (2016)The Absent Presence of Progressive Rock in the British Music Press, 1968-1974 (2019)Recording studios as museums? Record producers’ perspectives on German rock studios and accounts of their heritage practice (2021)Racial Formation in the United States: From the 1960s to the 1990s (1994)Subculture: The Meaning of Style (1995)The Study of Boundaries in the Social Sciences (2002)“Maybe it’s … skin colour?” How race-ethnicity and gender function in consumers’ formation of classification styles of cultural content (2019)The Sex Playlist: How Race and Ethnicity Mediate Musically “Composed” Sexual Self-Formation (2020)The emergence of promotional gatekeeping and converged local music professionals on social media (2021)Imagined Communities. Reflections on the Origin and Spread of Nationalism (1985)Imagined Communities: Reflections on the Origin and Spread of Nationalism (1994)Performing rites: on the value of popular music (1997)The Cultural Economy of Cities (1997)To See and Be Seen: Celebrity Practice on Twitter (2011)Crowdfunding and the democratization of the music market (2016)Location, location, location: how digital platforms reinforce the importance of spatial proximity (2018)“Splendid Isolation”: The reproduction of music industry inequalities in Spotify’s recommendation system (2021)The Predicament of Culture (1988)The Location of Culture (2012)The economic importance of the arts in Britain (1988)The Subcultures Reader (1999)Promoting live music in the UK: a behind-the-scenes ethnography (2011)Steering a review: some reflections on a gig (2013)The Cultural Industries (2019)When means and ends coincide: on the value of DiY (2019)
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  • 2010Change and Continuity in Newspaper Coverage of Popular Music since 1955: Evidence from the United States, France, Germany, and the Netherlands91 cited
  • 2016The online place of popular music: Exploring the impact of geography and social media on pop artists’ mainstream media attention31 cited
  • 2014Grunting Alone? Online Gender Inequality in Extreme Metal Music26 cited
  • 2014Curating popular music: authority and history, aesthetics and technology17 cited
  • 2015Just Like Hendrix: Whiteness and the Online Critical and Consumer Reception of Rock Music in the United States, 2003–201317 cited
  • 2011Scene through the Press: Rock Music and Underground Papers in London, 1966–7315 cited
  • 2020Improvisation and Value in Rock, 196615 cited
  • 2003Mapping the Music Industry in Scotland: A Report13 cited
  • 2009The Classification and Consecration of Popular Music: Critical Discourse and Cultural Hierarchies6 cited
  • 2014Editorial Introduction: Music Journalism6 cited
  • 2015Classifications in Popular Music5 cited
  • 2010Rock Journalists and Music Critics: A Selected Bibliography4 cited
  • 2014“This Is Our Music”: Italian Teen Pop Press and Genres in the 1960s4 cited

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