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The impact of new forms of public performance
7 references·1 citing·23 second hop
The impact of new forms of public performance (2014)The impact of new forms of public perform…Reflections on a Decade of Punchdrunk Theatre (2010)Reflections on a Decade of Pu…Shakespeare, Memory and Performance (2009)Shakespeare, Memory and Perfo…Liveness (2008)LivenessDigital Performance (2007)Digital PerformanceUnmarked (2003)UnmarkedLive Media: Interactive Technology and Theatre (2001)Live Media: Interactive Techn…Simulacra and Simulation (1995)Simulacra and SimulationSocial Media as Theatre Stage: Aesthetics, Affordances and Interactivities (2017)Social Media as Theatre Stage…Computers as Theatre (1993)Becoming-Animate: On the Performed Limits of "Human" (2006)The Work of Art in the Age of Mechanical Reproduction (2007)Liveness: performance in a mediatized culture (2008)Challenges for Creating and Staging Interactive Costumes for the Theatre Stage (2015)Shakespeare, Spectatorship and the Technologies of Performance (2020)Unmarked: The Politics of Performance (1994)Narrative as virtual reality: immersion and interactivity in literature and electronic media (2001)Simulacra and Simulation (2007)The Mediatization of Society (2008)Rethinking Populism: Politics, Mediatisation and Political Style (2013)Liminoid Invitations and Liminoid Acts: The role of ludic strategies and tropes in immersive and micro-performance dramaturgies (2016)Conceptualising digital technology integration in participatory theatre from a sociomaterialist perspective: ways forward for research (2018)Theatre reviewing in post-consensus society: Performance, print and the blogosphere (2010)This Distracted Globe (2023)Matter out of place: visibility and sexualities in leisure spaces (1999)Reading Erasures and Making the Familiar Strange: Defamiliarizing Methods for Research in Formerly Colonized and Historically Oppressed Communities (2003)The Art of Doing (Geographies of) Music (2007)In the here and now: Enhanced motor corticospinal excitability in novices when watching live compared to video recorded dance (2013)Sight over sound in the judgment of music performance (2013)Live-streaming, games and politics of gender performance: The case of Nüzhubo in China (2017)Choreographic Objects (2013)Response to COVID-19 – losing and finding one another in drama: personal geographies, digital spaces and new intimacies (2020)
this work references cited by second hop

References

  • 1995Simulacra and Simulation6,889 cited
  • 2003Unmarked803 cited
  • 2008Liveness630 cited
  • 2007Digital Performance501 cited
  • 2001Live Media: Interactive Technology and Theatre78 cited
  • 2009Shakespeare, Memory and Performance56 cited
  • 2010Reflections on a Decade of Punchdrunk Theatre16 cited

Cited by

  • 2017Social Media as Theatre Stage: Aesthetics, Affordances and Interactivities6 cited

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