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Cited by

• 2019Postdramatic Tragedies45 cited
• 2013Afterword: Omni-Local Classical Receptions39 cited
• 2007The Reception of Sophocles' Representation of Physical Pain28 cited
• 2020"WHOEVER ISN'T FOR US IS AGAINST US IN THIS CASE": THE ROLE OF CONTEXTUALIZATION IN SEAMUS HEANEY'S THE BURIAL AT THEBES22 cited
• 2002“The world’s a circular stage”: Aeschylean tragedy through the eyes of Eva Palmer-Sikelianou20 cited
• 2002Rolling out the red carpet: Power ‘play’ in modern Greek versions of the Myth of Orestes from the 1960s and 1970s (I)19 cited
• 2010Theater Festivals, Total Works of Art, and the Revival of Greek Tragedy on the Modern Stage18 cited
• 2008Dionysus: The Victorian Outcast14 cited
• 2006Dead Center: Tragedy and the Reanimated Body in Marina Carr’s The Mai and Portia Coughlan14 cited
• 2005Forgotten Theater, Theater of the Forgotten: Classical Tragedy on Modern Greek Prison Islands9 cited