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The Third Text Reader on Art, Culture and Theory
0 references·12 citing·43 second hop
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Cited by

  • 2018Welshness in ‘British Wales’: negotiating national identity at the margins44 cited
  • 2014Creative contributions: The role of the arts and the cultural sector in development31 cited
  • 2011High Stakes Stereotypes: The Emergence of the “Casino Indian” Trope in Television Depictions of Contemporary Native Americans27 cited
  • 2008Immigrants’ Artistic Practices in Amsterdam, 1970–2007: A Political Issue of Inclusion and Exclusion24 cited
  • 2011Doomsday Fieldwork, or, How to Rescue Gaelic Culture? The Salvage Paradigm in Geography, Archaeology, and Folklore, 1955 – 6215 cited
  • 2007Postcolonial Modernism14 cited
  • 2010An Interdisciplinary Approach to Art Appreciation.11 cited
  • 2011From ‘Asylum-Seeker’ to ‘British Artist’: How Refugee Artists are Redefining British Art7 cited
  • 2015Beyond the predicted: expanding our understanding of creative agency in international development through practice and policy6 cited
  • 2008African tourist art as tradition and product of the postcolonial exotic6 cited
  • 2017In Defense of Decolonial Philistinism5 cited
  • 2012‘Alive and significant’1 cited

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