References

No references inside the corpus for this window.

Cited by

• 2009The lure of aria, procession and spectacle: opera in eighteenth-century London55 cited
• 2005With Eyes on the East and Ears on the West: Handel's Orientalist Operas24 cited
• 2005The Politics of Handel's Early London Operas, 1711–171824 cited
• 2019Agrippina as prima donna: The reception of Agrippina, mother of Nero, in Handel’s opera Agrippina14 cited
• 2022The Spanish Alexander10 cited
• 2006The Composer as Dramatist: Handel's Contribution to the Libretto of 'Rodelinda'8 cited
• 1995‘Adapted to the modern stage’: La clemenza di Tito in London7 cited
• 2014The rival sirens: performance and identity on Handel's operatic stage7 cited
• 2022Alexander the Great in Byzantine Tradition, AD 330–14535 cited
• 1987The Royal Academy of Music (1719–28) and its Directors4 cited
• 1987English Traditions in Handel’s Rinaldo3 cited
• 1997Writer and society in the new Italy2 cited
• 1997Pirandello2 cited
• 1997The late 1950s and the 1960s1 cited
• 1997Alfieri and pre-Romanticism1 cited