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INTRODUCTION PREFACE TO THE SECOND EDITION PART 1: FILM AS AN ART THE NATURE OF ART WAYS OF LOOKING AT ART FILM, RECORDING, AND THE OTHER ARTS THE STRUCTURE OF ART PART 2: TECHNOLOGY: IMAGE AND SOUND ART AND TECHNOLOGY THE LENS THE CAMERA THE FILMSTOCK THE SOUNDTRACK POSTPRODUCTION VIDEO AND FILM PROJECTION PART 3: THE LANGAUGE OF SIGNS AND SYNTAX SIGNS SYNTAX PART 4: THE SHAPE OF FILM HISTORY MOVIES/FILM/CINEMA MOVIES: ECONOMICS FILM: POLITICS CINEMA: ESTHETICS PART 5: FILM THEORY: FORM AND FUNCTION THE CRITIC THE POET AND THE PHILOSOPHER: LINDSAY AND MUNSTERBERG EXPRESSIONISM AND REALISM: ARNHEIM AND KRACAUER MONTAGE: PUDOVKIN, EISENSTEIN, BALAZS, AND FORMALISM MISE EN SCENE: NEOREALISM, BAZIN AND GODARD FILM SPEAKS AND ACTS: METZ AND CONTEMPORARY THEORY PART 6: MEDIA: IN THE MIDDLE OF THINGS COMMUNITY PRINT AND ELECTRONIC MEDIA THE TECHNOLOGY OF MECHANICAL AND ELECTRONIC MEDIA RADIO AND RECORDS TELEVISION AND VIDEO PART 7: MULTIMEDIA: THE DIGITAL REVOLUTION THE DIGITAL REVOLUTION THE MYTH OF MULTIMEDIA THE MYTH OF VIRTUAL REALITY THE MYTH OF CYBERSPACE WHAT IS TO BE DONE? I FILM AND MEDIA: A CHRONOLOGY TO 1895: PREHISTORY 1896-1915: THE BIRTH OF FILM 1916-1930: SILENT FILM, THE BIRTHS OF RADIO AND SOUND FILM 1931-1945: THE GREAT AGE OF HOLLYWOOD AND RADIO 1946-1960: THE GROWTH OF TELEVISION 1961-1980: THE MEDIA WORLD 1981-PRESENT: THE DIGITAL WORLD II READING ABOUT FILM AND MEDIA PART ONE: A BASIC LIBRARY PART TWO: INFORMATION INDEX TOPICS PEOPLE TITLES
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