SZodixStudyAcademic Library
ShelvesOpen access
Study · an open academic library·Metadata from OpenAlex (CC0)·Shelves·OpenAlex metadata, de-duplicated
The Living Tradition of Yup'Ik Masks: Agayuliyararput, Our Way of Making Prayer
0 references·7 citing·26 second hop
The Living Tradition of Yup'Ik Masks: Agayuliyararput, Our Way of Making Prayer (1996)The Living Tradition of Yup'Ik Masks: Aga…Traditional and Conservation Interpretations of Pre- and Post-Collection Working Methods for Alaskan Yup’ik Masks (2023)Traditional and Conservation …Pia Arke and ‘Arctic Hysteria’: Visual Repatriation and the Problematics of a ‘Lost’ Artwork (2022)Pia Arke and ‘Arctic Hysteria…Plague Masks: The Visual Emergence of Anti-Epidemic Personal Protection Equipment (2018)Plague Masks: The Visual Emer…Presence, Attachment, Origin: Ontologies of “Incarnates” (2013)Presence, Attachment, Origin:…incorporating quliaqtuavut (our stories): Bering Strait Voices in Recent Exhibitions (2013)incorporating quliaqtuavut (o…Yup’ik elders in museums: fieldwork turned on its head (2005)Yup’ik elders in museums: fiel…RECENT ETHNOGRAPHIC RESEARCH ON NORTH AMERICAN INDIGENOUS PEOPLES (2005)RECENT ETHNOGRAPHIC RESEARCH …We have never been modern (1994)Os pronomes cosmológicos e o perspectivismo ameríndio (1996)Art And Agency (1998)Anthropologie de la nature (2014)Exhibiting cultures: the poetics and politics of museum display (1991)The Birth of the Museum: History, Theory, Politics (1996)Routes: Travel and Translation In the Late Twentieth Century (1998)Reinventing Anthropology (1974)The Predicament of Culture (1988)Decolonizing Methodologies: Research and Indigenous Peoples (2000)Memory, Identity, and NAGPRA in the Northeastern United States (2010)Hygienic ModernityMeanings of Health and Disease in Treaty-Port China (2004)Contagious (2008)"What Is an Apparatus?" and Other Essays (2020)Reading Chinese anti-COVID-19 pandemic narratives on facemasks as the art of disaster governance: a semiotic and biopolitical survey (2020)Emergent Axioms of Violence: Toward an Anthropology of Post-Liberal Modernity (2021)Covid-19: The cultural constructions of a global crisis (2022)Stories from Scoresbysund : Photographs, Colonisation and Mapping (2010)De-framing the Indigenous Body. Ethnography, Landscape and Cultural Belonging in the Art of Pia Arke (2012)Objects of Affect: Photography Beyond the Image (2012)Eskimo Masks, Art and Ceremony (1968)Practical Aspects of Consultation With Communities (2005)Authenticity and heritage conservation: seeking common complexities beyond the ‘Eastern’ and ‘Western’ dichotomy (2020)Ways of owning and sharing cultural property (2004)Community archaeology: general methods and standards of practice (2007)Making Sense through Touch (2014)
this work references cited by second hop

References

No references inside the corpus for this window.

Cited by

  • 2018Plague Masks: The Visual Emergence of Anti-Epidemic Personal Protection Equipment122 cited
  • 2005Yup’ik elders in museums: fieldwork turned on its head42 cited
  • 2013Presence, Attachment, Origin: Ontologies of “Incarnates”31 cited
  • 2005RECENT ETHNOGRAPHIC RESEARCH ON NORTH AMERICAN INDIGENOUS PEOPLES27 cited
  • 2022Pia Arke and ‘Arctic Hysteria’: Visual Repatriation and the Problematics of a ‘Lost’ Artwork3 cited
  • 2023Traditional and Conservation Interpretations of Pre- and Post-Collection Working Methods for Alaskan Yup’ik Masks2 cited
  • 2013incorporating quliaqtuavut (our stories): Bering Strait Voices in Recent Exhibitions1 cited

Only edges whose both ends are imported exist here. Widen the year window, or show the whole map. Back to the work