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Always Magic in the Air: The Bomp and Brilliance of the Brill Building Era
0 references·16 citing·34 second hop
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  • 2016The Cambridge Companion to the Singer-Songwriter39 cited
  • 2016The rise of the LP: the politics of diffusion innovation in the recording industry18 cited
  • 2014Voicing passion: The emotional economy of songwriting17 cited
  • 2016Gender, race, and the ma(s)king of ‘Joni Mitchell’14 cited
  • 2016Musical gesture in the songs of Nick Drake14 cited
  • 2016Politics and Power in the Record Industry: The Beatles, the Beach Boys, and the Album as Art Form14 cited
  • 2018Popular Music, Stars and Stardom10 cited
  • 2016Singer-songwriter authenticity, the unconscious and emotions (feat. Adele’s ‘Someone Like You’)9 cited
  • 2008Latunes: An Introduction9 cited
  • 2017Conceptualizing Creativity and Strategy in the Work of Professional Songwriters8 cited
  • 2008Suburban stories: Dave McComb and the Perth experience6 cited
  • 2016The emergence of the singer-songwriter6 cited
  • 2012Bouffants, Beehives, and Breaking Gender Norms: Rethinking “Girl Group” Music of the 1950s and 1960s5 cited
  • 2016The Brill Building and the creative labour of the professional songwriter4 cited
  • 2016

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Singer-songwriters and fandom in the digital age
4 cited
  • 2016The ‘professional’ singer-songwriter in the 1970s4 cited