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Resumen En el Museo de Arte Sacro de Teruel se conserva una pintura sobre tabla con la escena de la Sagrada Cena. Con el presente trabajo pretendemos estudiar su relación con el Oratorio del Gonfalone de Roma y demostrar que, gracias a la generalización de la producción de estampas y grabados, este territorio pudo acceder a las mejores obras de arte e incorporarse a las rutas de comunicación artística del momento. Palabras clave: iconografía, grabados, siglo XVII, Teruel, Agresti. Abstract In the Museum of Sacred Art of Teruel there is a painting on panel with the scene of the Sacred Supper. With this work we intend to study its relationship with the Oratory of the Gonfalone in Rome. Also, to demonstrate that, thanks to the generalization of the production of prints and engravings, this territory was able to access the best works of art and to join the routes of artistic communication of the period. Keywords: iconography, engravings, 17th century, Teruel, Agresti.
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