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5. Yellow, Vermilion, and Gold: Colour in Karel van Mander’s Schilder-Boeck
16 references·0 citing·28 second hop
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References

  • 2007Pigment Compendium: A Dictionary of Historical Pigments470 cited
  • 1993Colour and culture: Practice and meaning from antiquity to abstraction370 cited
  • 2008The Visible World : Samuel van Hoogstraten's Art Theory and the Legitimation of Painting in the Dutch Golden Age98 cited
  • 2012The materiality of color : the production, circulation, and application of dyes and pigments, 1400-180061 cited
  • 1999What painting is: how to think about oil painting, using the language of alchemy49 cited
  • 2015Colour histories : science, art, and technology in the 17th and 18th centuries46 cited
  • 2010Last Things: Art and the Religious Imagination in the Age of Reform36 cited
  • 1995Gendered Style in Italian Art Criticism from Michelangelo to Malvasia35 cited
  • 2004ARISTOTLE ON COLOUR, LIGHT AND IMPERCEPTIBLES34 cited
  • 2019PANDORA'S BOX. The Changing Aspects of a Mythical Symbol31 cited
  • 2016Early Modern Color Worlds31 cited
  • 2005Art, science, and witchcraft in early modern Holland : Jacques de Gheyn II (1565-1629)30 cited
  • 2017Image Acts: A Systematic Approach to Visual Agency23 cited
  • 1999Copper as canvas: two centuries of masterpiece paintings on copper, 1575-177519 cited
  • 20192. Vermilion, Mercury, Blood, and Lizards: Matter and Meaning in Metalworking

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17 cited
  • 2010Trade in artists' materials : markets and commerce in Europe to 170015 cited
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