Agency in ensemble interaction and rehearsal communication

Abstract

Abstract Agency refers to the capacity to act and act upon, to initiate and carry out actions either for their own sakes or to influence and affect others. The concept is often invoked in music studies, but the nature and types of actions and agents are defined differently in various research frameworks. This study integrates sociocultural and metaphorical approaches to investigate the interactions between work and performer agencies in the verbal communication and gestural exchanges that take place during ensemble rehearsal. The chapter begins with an overview of current theories of musical agency and traces their implications for research on ensemble music-making. Next, using conversational segments drawn from two empirical case studies of professional string quartets as illustrations, the chapter considers agential roles and ascriptions that are not accounted for in current paradigms. In closing, the chapter explores the theoretical implications of the research outcome and proposes a new critical perspective.

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