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Newly Composed Folk Music of Yugoslavia
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Cited by

  • 2011Pop-Rock Music as Expressive Isomorphism: Blurring the National, the Exotic, and the Cosmopolitan in Popular Music42 cited
  • 2006The Politics of Performance: Transnationalism and its Limits in Former Yugoslav Popular Music, 1999–200428 cited
  • 2002Bulgaria or Chalgaria: The Attenuation of Bulgarian Nationalism in a Mass-Mediated Popular Music25 cited
  • 2008Generation Number One: Politics and Popular Music in Yugoslavia in the 1950s19 cited
  • 2012Lepa Brena: Repolitization of musical memories on Yugoslavia19 cited
  • 2010The Paradox of Ceca and the Turbo-Folk Audience16 cited
  • 2017Rethinking Class in Socialist Yugoslavia: Labor, Body, and Moral Economy12 cited
  • 2008When Seve Met Bregović: Folklore, Turbofolk and the Boundaries of Croatian Musical Identity11 cited
  • 2018Sounds of Attraction: Yugoslav and Post-Yugoslav Popular Music9 cited
  • 2014Turbo-Folk as the Agent of Empire: On Discourses of Identity and Difference in Popular Culture8 cited
  • 2012The making of a Yugoslav popular music industry8 cited
  • 2012Remember the Nineties? Turbo-Folk as the Vanishing Mediator of Nationalism7 cited
  • 2016Sevdah Celebrities Narrate Sevdalinka. Political (Self-)Contextualization of Sevdalinka Performers in Bosnia-Herzegovina6 cited

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2013
The creation of folk music program on Radio Belgrade before World War Two: Editorial policies and performing ensembles
6 cited
  • 2015Recycled Music for Banal Nation: The Case of Serbia 1999– 20105 cited
  • 2023Urban Folk Music Legacy from Former Yugoslavia in Contemporary Istanbul4 cited