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Which Side Is This Ex-Beatle on? A Reassessment of the 1970s Rock Press’ Framing, Interpretation, and Consideration of Paul McCartney and Wings
10 references·0 citing·37 second hop
Which Side Is This Ex-Beatle on? A Reassessment of the 1970s Rock Press’ Framing, Interpretation, and Consideration of Paul McCartney and Wings (2021)Which Side Is This Ex-Beatle on? A Reasse…When Genres Collide (2017)When Genres CollideUnderstanding Popular Music Culture (2016)Understanding Popular Music C…The Beatles and the Historians: An Analysis of Writings about the Fab Four (2016)The Beatles and the Historian…The Pursuit of History (2013)The Pursuit of HistorySaid the Hooker to the Thief: “Some Way Out” of Rockism (2013)Said the Hooker to the Thief:…Teenyboppers, Groupies, and Other Grotesques: Girls and Women and Rock Culture in the 1960s and early 1970s (2003)Teenyboppers, Groupies, and O…Reconsidering rock (2001)Reconsidering rockRock Aesthetics and Musics of the World (1997)Rock Aesthetics and Musics of…Producing Artistic Value: The Case of Rock Music (1994)Producing Artistic Value: The…Sound Effects: Youth, Leisure and the Politics of Rock'n'roll (1986)Sound Effects: Youth, Leisure…Imagined Communities. Reflections on the Origin and Spread of Nationalism (1985)Aberrations in Black: Toward a Queer of Color Critique (2003)Black, White, and in Color: Essays on American Literature and Culture (2003)Distinction. A Social Critique of the Judgement of Taste (1985)Postmodernism, or, The cultural logic of late capitalism (1991)Classification as Culture: Types and Trajectories of Music Genres (2008)Cultural sociology and new forms of distinction (2015)Distinction: A Social Critique of the Judgement of Taste* (2018)From Aristocratic to Ordinary: Shifting Modes of Elite Distinction (2020)Disjuncture and Difference in the Global Cultural Economy (1990)A Theory of Structure: Duality, Agency, and Transformation (1992)The Field of Cultural Production (1994)'Roots'?: the relationship \nbetween the global and the local \nwithin the Extreme Metal scene (2000)Music and the Global Order (2004)Cultural Uniqueness and Aesthetic Cosmopolitanism (2007)After the Great Divide (1986)The Politics and Poetics of Transgression (1988)On Record: Rock, Pop and the Written Word (1990)“Anyone who Calls Muse a Twilight Band will be Shot on Sight”: Music, Distinction, and the “Interloping Fan” in the Twilight Franchise (2013)The Cambridge Companion to the Singer-Songwriter (2016)‘It’s a man’s man’s man’s world’: Music groupies and the othering of women in the world of rock (2017)Is there rock after punk? (1986)Rhythm, Rhyme, and Rhetoric in the Music of Public Enemy (1995)How Shared Preferences in Music Create Bonds Between People (2011)Learning and teaching the Beatles (2022)Management and organizational history: Prospects (2006)Metacognitive Awareness and Academic Achievement in College Students. (2008)History‐informed strategy research: The promise of history and historical research methods in advancing strategy scholarship (2019)Practice through partnership: Examining the theoretical framework and development of a “community of musical practice” (2014)Representation of age and ageing identities in popular music texts (2016)Music Audiences 3.0: Concert-Goers’ Psychological Motivations at the Dawn of Virtual Reality (2017)Towards a critical understanding of music, emotion and self‐identity (2008)‘… This little ukulele tells the truth’: indie pop and kitsch authenticity (2010)Authenticity Revisited: The Rock Critic and the Changing Real (2010)Writing about Popular Music (2019)Improvisation and Value in Rock, 1966 (2020)The Mediation of Genre, Identity, and Difference in Contemporary (Popular) Music Streaming (2024)
this work references cited by second hop

References

  • 2013The Pursuit of History300 cited
  • 1994Producing Artistic Value: The Case of Rock Music281 cited
  • 2001Reconsidering rock144 cited
  • 2003Teenyboppers, Groupies, and Other Grotesques: Girls and Women and Rock Culture in the 1960s and early 1970s137 cited
  • 1986Sound Effects: Youth, Leisure and the Politics of Rock'n'roll116 cited
  • 2016Understanding Popular Music Culture103 cited
  • 2017When Genres Collide60 cited
  • 1997Rock Aesthetics and Musics of the World47 cited
  • 2016The Beatles and the Historians: An Analysis of Writings about the Fab Four16 cited
  • 2013Said the Hooker to the Thief: “Some Way Out” of Rockism6 cited

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