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Theatre and Everyday Life
0 references·12 citing·36 second hop
Theatre and Everyday Life (2003)Theatre and Everyday LifeA Theory of Microactivist Affordances (2019)A Theory of Microactivist Aff…Bus journeys, sandwiches and play: young children and the theatre event (2017)Bus journeys, sandwiches and …Ethics, performativity and gender: porous and expansive concepts of selving in the performance work of Gretchen Jude and of Nicole Peisl (2016)Ethics, performativity and ge…Postdramatic Theatre and Postdramatic Performance (2015)Postdramatic Theatre and Post…Playing with Proximity: Precarious Ethics on Stage in the New Millennium (2014)Playing with Proximity: Preca…Performing for affect? Immaterial labour and performer training (2014)Performing for affect? Immate…The Possibility of Darkness: Blackout and Shadow in Chris Goode’s Who You Are (2013)The Possibility of Darkness: …Projection and Transaction (2005)Projection and TransactionTheater Makes History: Ritual Murder by Proxy in the "Mistere de la Sainte Hostie" (2004)Theater Makes History: Ritual…Dance, Space and Subjectivity (2002)Dance, Space and SubjectivityMoving in the Cityscape: Performance and the Embodied Experience of theFlâneur (1999)Moving in the Cityscape: Perf…Jewish‐Arab Encounters in the Drama/Theatre Class Battlefield (1996)Jewish‐Arab Encounters in the…Space in performance: making meaning in the theatre (2000)What is Scenography? (2002)Virtual Theatres (2004)Emergent objects: Designing through performance (2007)The History of Sexuality (1976)Yearning: Race, Gender, and Cultural Politics (1990)Unbearable Weight: Feminism, Western Culture and the Body. (1995)Parables for the Virtual (2002)Parables for the virtual: movement, affect, sensation (2002)The Birth of Biopolitics: Lectures at the Collège de France, 1978-1979 (2008)Homo Ludens: A Study of the Play-Element in Culture. (1951)Discipline and Punish: The Birth of the Prison (1978)Unclaimed Experience (1996)Anti-Semitism, Surrogacy, and the Invocation of Mohammed in the Play of the Sacrament (2007)Downcast Eyes (1993)Downcast eyes: the denigration of vision in twentieth-century French thought (1994)Container Aesthetics: The Infrastructural Politics of Shunt’s The Boy Who Climbed Out of His Face (2016)The play of light: rethinking mood lighting in performance (2020)Theatre of the oppressed (2020)The science question in feminism (1987)Situated Knowledges: The Science Question in Feminism and the Privilege of Partial Perspective (1988)Situated Knowledges: The Science Question in Feminism and the Privilege of Partial Perspective (1988)Semiotics of Theatrical Performance (1977)Ecuador, the Non-communication: Postdrama or Performance? (2018)RuPaul’s Drag Race: A study in the commodification of white ruling-class femininity and the etiolation of drag (2018)Between Postdramatic Text and Dramatic Drama: Recent German-Language Playwriting by Lukas Bärfuss and Katja Brunner (2020)From The Emancipated Spectator (2025)Antagonism and Relational Aesthetics (2004)Precarious Life: The Powers of Mourning and Violence (2004)Relational aesthetics (2011)The body in pain (1985)Queer Phenomenology (2006)Queer Phenomenology: Orientations, Objects, Others (2006)The misperception of the environment: A critical evaluation of the work of Tim Ingold and an alternative guide to the use of the senses in anthropological theory (2022)The Politics and Poetics of Transgression (1988)Imaginary homelands: essays and criticism, 1981-1991 (1991)
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Cited by

  • 2015Postdramatic Theatre and Postdramatic Performance46 cited
  • 2019A Theory of Microactivist Affordances39 cited
  • 1999Moving in the Cityscape: Performance and the Embodied Experience of theFlâneur18 cited
  • 2013The Possibility of Darkness: Blackout and Shadow in Chris Goode’s Who You Are11 cited
  • 2004Theater Makes History: Ritual Murder by Proxy in the "Mistere de la Sainte Hostie"9 cited
  • 2002Dance, Space and Subjectivity9 cited
  • 2005Projection and Transaction8 cited
  • 2016Ethics, performativity and gender: porous and expansive concepts of selving in the performance work of Gretchen Jude and of Nicole Peisl6 cited
  • 2014Performing for affect? Immaterial labour and performer training6 cited
  • 2014Playing with Proximity: Precarious Ethics on Stage in the New Millennium5 cited
  • 1996Jewish‐Arab Encounters in the Drama/Theatre Class Battlefield5 cited
  • 2017Bus journeys, sandwiches and play: young children and the theatre event5 cited

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