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• 2006Code Breaking: How Entrepreneurs Exploit Cultural Logics to Generate Institutional Change190 cited
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• 2005Understanding classifications: Empirical evidence from the American and French wine industries111 cited
• 2006Was Foucault a plagiarist? Hip-hop sampling and academic citation71 cited
• 2010Cosmopolitan preferences: The constitutive role of place in American elite taste for hip-hop music 1991–200568 cited
• 2011Reading difference: How race and ethnicity function as tools for critical appraisal65 cited
• 2013The sincerest form of flattery: Innovation, repetition, and status in an art movement55 cited
• 2020The authenticity premium: Balancing conformity and innovation in high technology industries41 cited
• 2016Mainstreaming French rap music. Commodification and artistic legitimation of othered cultural goods39 cited
• 2000Country music as impression management: A meditation on fabricating authenticity