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Waltzing Through Europe
16 references·0 citing·42 second hop
Waltzing Through Europe (2020)Waltzing Through EuropeDecorum of the Minuet, Delirium of the Waltz (2011)Decorum of the Minuet, Deliri…Writing A Dance: Epistemology for Dance Research (2010)Writing A Dance: Epistemology…Dancing Communities (2007)Dancing CommunitiesThe performance turn in narrative studies (2006)The performance turn in narra…Stories: Big or small (2006)Stories: Big or smallThe Power of Dance and Its Social and Political Uses (2001)The Power of Dance and Its So…Modernism (2000)ModernismChoreographies of Gender (1998)Choreographies of GenderDance in the City (1997)Dance in the CityCyborgs, Nomads and the Raving Feminine (1997)Cyborgs, Nomads and the Ravin…Participatory and Presentational Dance as Ethnochoreological Categories (1995)Participatory and Presentatio…Poetics and Performances as Critical Perspectives on Language and Social Life (1990)Poetics and Performances as C…Life as Narrative (1987)Life as NarrativeStory, Performance, and Event (1986)Story, Performance, and EventTradition, Genuine or Spurious (1984)Tradition, Genuine or SpuriousOnce Again: On the Concept of “Folk Dance” (1968)Once Again: On the Concept of…Ways of Worldmaking (1978)Actual Minds, Possible Worlds. (1986)Time and narrative (1986)Quality control in qualitative research (1993)Getting a life: The emergence of the life story in adolescence. (2000)Using Narrative in Social Research (2005)How To Do Things With Words (1975)Gender Trouble: Feminism and the Subversion of Identity (1991)‘Just Crumbling to Bits’? An Exploration of the Body, Ageing, Injury and Career in Classical Ballet Dancers (2006)Global Flows, Semi-permeable Borders and New Channels of Inequality (2006)Dancers’ Perceptions of Pain and Injury (2009)The Interpretation of Cultures (2017)A simplest systematics for the organization of turn-taking for conversation (1974)Critical Discourse Analysis (2000)Discourse (2005)Discourse: A Critical Introduction. (2008)Distinction: A Social Critique of the Judgement of Taste* (2018)How Musical Is Man? (1976)To Dance is Human: A Theory of Nonverbal Communication (1979)Music and Discourse: Toward a Semiology of Music (1991)Parallel Traditions: State Folk Dance Ensembles and Folk Dance in “The Field” (1999)The ontology of twerk: from ‘sexy’ Black movement style to Afro-Diasporic sacred dance (2015)The Transformation of Traditional Dance from Its First to Its Second Existence: The Effectiveness of Music - Movement Education and Creative Dance in the Preservation of Our Cultural Heritage (2017)Defining tradition: variations on the Hawaiian identity (1983)Ours Once More: Folklore, Ideology, and the Making of Modern Greece (1984)Genre, Intertextuality, and Social Power (1992)Rethinking authenticity in tourism experience (1999)Voices of Modernity (2003)Reflections on the Revolution in France (2018)Introduction: Interviews vs. ‘natural’ contexts: A false dilemma (2011)Discourse Analysis and Narrative (2015)Small Stories Research (2015)Contrasting perspectives on narrating selves and identities: an invitation to dialogue (2008)Narrative inquiry in sport and exercise psychology: What can it mean, and why might we do it? (2008)What is Narrative Research? (2014)Marking New Directions in Performance Ethnography (2006)Geographies for Moving Bodies: Thinking, Dancing, Spaces (2008)The Labor of Reflexivity (2011)Interpersonal Deception Theory (1996)Performing Autoethnography: An Embodied Methodological Praxis (2001)Language and Identity (2005)The American Spaces of Henry James (2008)
this work references cited by second hop

References

  • 1990Poetics and Performances as Critical Perspectives on Language and Social Life2,677 cited
  • 1987Life as Narrative2,539 cited
  • 1986Story, Performance, and Event939 cited
  • 1984Tradition, Genuine or Spurious781 cited
  • 2006Stories: Big or small578 cited
  • 1998Choreographies of Gender239 cited
  • 2006The performance turn in narrative studies150 cited
  • 2007Dancing Communities137 cited
  • 2000Modernism99 cited
  • 1995Participatory and Presentational Dance as Ethnochoreological Categories82 cited
  • 2001The Power of Dance and Its Social and Political Uses78 cited
  • 1968Once Again: On the Concept of “Folk Dance”64 cited
  • 2011Decorum of the Minuet, Delirium of the Waltz57 cited
  • 1997Dance in the City47 cited
  • 1997Cyborgs, Nomads and the Raving Feminine46 cited
  • 2010Writing A Dance: Epistemology for Dance Research43 cited

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