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The Sublime Figure of History
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Cited by

  • 2013CUTENESS AS A SUBTLE STRATEGY44 cited
  • 2020The Great Exodus from China35 cited
  • 2010Chinese literature from 1841 to 193716 cited
  • 2008Zhao Dan: spectrality of martyrdom and stardom14 cited
  • 2014Gender, affect, and landscape: wartime films from Northern and Southern Vietnam12 cited
  • 2011Translating ‘montage’: The discreet attractions of Soviet montage for Chinese revolutionary cinema7 cited
  • 2016The versatile film projectionist: How to show films and serve the people in the 17 years period, 1949–19666 cited
  • 2022The cinema of make-believe: Rural viewers’ early reception of film propaganda in socialist China5 cited
  • 2011Destruction, Moral Nihilism and the Poetics of Debris in Jia Zhangke'sStill Life5 cited
  • 2021Cultural exploitation in Chinese politics: Reinterpreting Liu Sanjie5 cited
  • 2016Sonic Imaginary after the Cultural Revolution3 cited

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