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Influence of indigo-hydroxyl interactions on the properties of sepiolite-based Maya blue pigment
16 references·0 citing·26 second hop
Influence of indigo-hydroxyl interactions on the properties of sepiolite-based Maya blue pigment (2022)Influence of indigo-hydroxyl interactions…Review of museums' indoor environment conditions studies and guidelines and their impact on the museums' artifacts and energy consumption (2018)Review of museums' indoor env…Mineral Pigments in Archaeology: Their Analysis and the Range of Available Materials (2018)Mineral Pigments in Archaeolo…Chemical stability and dehydration behavior of a sepiolite/indigo Maya Blue pigment (2011)Chemical stability and dehydr…The Color and Stability of Maya Blue: TDDFT Calculations (2009)The Color and Stability of Ma…A combined synchrotron powder diffraction and vibrational study of the thermal treatment of palygorskite–indigo to produce Maya blue (2009)A combined synchrotron powder…Pre-columbian nanotechnology: reconciling the mysteries of the maya blue pigment (2007)Pre-columbian nanotechnology:…Indigo/Dehydroindigo/Palygorskite Complex in Maya Blue: An Electrochemical Approach (2007)Indigo/Dehydroindigo/Palygors…SYNTHESIS AND ACID RESISTANCE OF MAYA BLUE PIGMENT* (2006)SYNTHESIS AND ACID RESISTANCE…Dehydroindigo: A New Piece into the Maya Blue Puzzle from the Voltammetry of Microparticles Approach (2006)Dehydroindigo: A New Piece in…Raman spectroscopic analysis of the Maya wall paintings in Ek’Balam, Mexico (2005)Raman spectroscopic analysis …Identification of the Pre-Columbian Pigment Maya Blue on Works of Art by Noninvasive UV-Vis and Raman Spectroscopic Techniques (2004)Identification of the Pre-Col…The Nature of the Colour Centres in ‘Maya Blue’ — the Incorporation of Organic Pigment Molecules into the Palygorskite Lattice (2003)The Nature of the Colour Cent…Crystal structure refinements of palygorskite and Maya Blue from molecular modelling and powder synchrotron diffraction (2003)Crystal structure refinements…Étude et Identification du 'Bleu Maya' (1967)Étude et Identification du 'B…Maya Blue: A Clay-Organic Pigment? (1966)Maya Blue: A Clay-Organic Pig…Maya Blue: An Unsolved Problem in Ancient Pigments (1962)Maya Blue: An Unsolved Proble…Maya Blue Paint: An Ancient Nanostructured Material (1996)Chemometric Study of Maya Blue from the Voltammetry of Microparticles Approach (2007)Painting Materials: A Short Encyclopedia (2011)Maya Blue: A Computational and Spectroscopic Study (2005)Organic/inorganic complex pigments: Ancient colors Maya Blue (2007)The materials and techniques of medieval painting (1956)Raman microscopy: application to the identification of pigments on medieval manuscripts (1995)Micro‐Raman spectroscopy (MRS) and surface‐enhanced Raman scattering (SERS) on organic colourants in archaeological pigments (2008)Characterisation of a portable Raman spectrometer for in situ analysis of art objects (2013)Raman spectroscopic library of natural and synthetic pigments (pre- ≈ 1850 AD) (1997)Library of FT-Raman spectra of pigments, minerals, pigment media and varnishes, and supplement to existing library of Raman spectra of pigments with visible excitation (2001)U-Th dating of carbonate crusts reveals Neandertal origin of Iberian cave art (2018)Characterizing the pigments and paints of prehistoric artists (2021)Pigments — Mercury-based red (cinnabar-vermilion) and white (calomel) and their degradation products (2021)Pigments—Iron-based red, yellow, and brown ochres (2022)Environmental parameters in museums (2003)Analyzing extended STIRPAT model of urbanization and CO2 emissions in Asian countries (2020)Two new indices for preventive conservation of the cultural heritage: Predicted risk of damage and heritage microclimate risk (2020)Investigations of Museum Indoor Microclimate and Air Quality. Case Study from Romania (2021)Computational Chemistry Meets Cultural Heritage: Challenges and Perspectives (2010)Pigments—the palette of organic colourants in wall paintings (2021)The Invention of Blue and Purple Pigments in Ancient Times (2007)Raman spectroscopy of minerals and mineral pigments in archaeometry (2016)The Maya Blue Pigment (2011)Vibrational investigation of indigo–palygorskite association(s) in synthetic Maya blue (2011)Shades of blue: non-invasive spectroscopic investigations of Maya blue pigments. From laboratory mock-ups to Mesoamerican codices (2020)
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References

  • 1966Maya Blue: A Clay-Organic Pigment?245 cited
  • 2018Mineral Pigments in Archaeology: Their Analysis and the Range of Available Materials222 cited
  • 2003Crystal structure refinements of palygorskite and Maya Blue from molecular modelling and powder synchrotron diffraction194 cited
  • 2005Raman spectroscopic analysis of the Maya wall paintings in Ek’Balam, Mexico133 cited
  • 2018Review of museums' indoor environment conditions studies and guidelines and their impact on the museums' artifacts and energy consumption128 cited
  • 2006SYNTHESIS AND ACID RESISTANCE OF MAYA BLUE PIGMENT*122 cited
  • 1962Maya Blue: An Unsolved Problem in Ancient Pigments118 cited
  • 2011Chemical stability and dehydration behavior of a sepiolite/indigo Maya Blue pigment111 cited
  • 2007Pre-columbian nanotechnology: reconciling the mysteries of the maya blue pigment110 cited
  • 2006Dehydroindigo: A New Piece into the Maya Blue Puzzle from the Voltammetry of Microparticles Approach108 cited
  • 2009A combined synchrotron powder diffraction and vibrational study of the thermal treatment of palygorskite–indigo to produce Maya blue100 cited
  • 2009The Color and Stability of Maya Blue: TDDFT Calculations89 cited
  • 2003The Nature of the Colour Centres in ‘Maya Blue’ — the Incorporation of Organic Pigment Molecules into the Palygorskite Lattice86 cited
  • 1967

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Étude et Identification du 'Bleu Maya'
81 cited
  • 2004Identification of the Pre-Columbian Pigment Maya Blue on Works of Art by Noninvasive UV-Vis and Raman Spectroscopic Techniques71 cited
  • 2007Indigo/Dehydroindigo/Palygorskite Complex in Maya Blue: An Electrochemical Approach67 cited
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