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The creep performance of bio-based and synthetic lining adhesives at different environmental conditions
5 references·2 citing·30 second hop
The creep performance of bio-based and synthetic lining adhesives at different environmental conditions (2022)The creep performance of bio-based and sy…Animal glues: a review of their key properties relevant to conservation (2007)Animal glues: a review of the…The structural conservation of canvas paintings: changes in attitude and practice since the early 1970s (2002)The structural conservation o…The mechanical behaviour and environmental response of paintings to three types of lining treatment (2001)The mechanical behaviour and …Materials for Conservation (1987)Materials for ConservationHEAT-SEAL LINING OF A TORN PAINTING WITH BEVA 371 (1975)HEAT-SEAL LINING OF A TORN PA…A Comparative Study of Bond Strength, Reversibility, and Projected Long-Term Durability of Lining Techniques for the Structural Stabilisation of Canvas Paintings (2024)A Comparative Study of Bond S…Multi-Analytical Investigation of the Oil Painting “Il Venditore di Cerini” by Antonio Mancini and Definition of the Best Green Cleaning Treatment (2022)Multi-Analytical Investigatio…Recent Advances in Conservation (1967)FORMULATING ADHESIVES FOR THE CONSERVATION OF PAINTINGS (1972)Beva 371 and Its Use as an Adhesive for Skin and Leather Repairs: Background and a Review of Treatments (2003)Original and reformulated BEVA ® 371: Composition and assessment as a consolidant for painted surfaces (2014)The long-term stability of a popular heat-seal adhesive for the conservation of painted cultural objects (2014)Relative Humidity and the Stress/Strain Response of Canvas Paintings: Uniaxial Measurements of Naturally Aged Samples (1988)Mechanical Behavior of Paintings Subjected to Changes in Temperature and Relative Humidity (1991)Adhesive testing at the Canadian Conservation Institute-an evaluation of selected poly(vinyl acetate) and acrylic adhesives (1996)About the choice of tension for canvas paintings (2009)Temperature-related degradation and colour changes of historic paintings containing vivianite (2014)Nanomaterials for Combined Stabilisation and Deacidification of Cellulosic Materials—The Case of Iron-Tannate Dyed Cotton (2020)Gilded Wood: Conservation and History (1992)Painted Wood: History and Conservation (2000)The Role of Fire in the Life of an Adhesive (2017)Understanding preservation and identification biases of ancient adhesives through experimentation (2020)Reevaluating the timing of Neanderthal disappearance in Northwest Europe (2021)Infrared Spectroscopy in Conservation Science (2000)Identification of Cellulosic Fibres by FTIR Spectroscopy - Thread and Single Fibre Analysis by Attenuated Total Reflectance (2003)ATR-FT-IR spectral collection of conservation materials in the extended region of 4000-80 cm–1 (2016)Combined Use of Non-Invasive and Micro-Invasive Analytical Investigations to Understand the State of Conservation and the Causes of Degradation of I Tesori del Mare (1901) by Plinio Nomellini (2022)Marble Chromatic Alteration Study Using Non-Invasive Analytical Techniques and Evaluation of the Most Suitable Cleaning Treatment: The Case of a Bust Representing Queen Margherita di Savoia at the U.S. Embassy in Rome (2022)Mattel’s Barbie: Investigation of a Symbol—Analysis of Polymeric Matrices and Degradation Phenomena for Sixteen Dolls from 1959 to 1976 (2022)Lining paintings : papers from the Greenwich Conference on Comparative Lining Techniques (2003)Conservation of Easel Paintings (2013)A study on reversibility of BEVA®371 in the lining of paintings (2014)In-situ technical study of modern paintings part 1: The evolution of artistic materials and painting techniques in ten paintings from 1889 to 1940 by Alessandro Milesi (1856–1945) (2019)Systematic mechanical assessment of consolidants for canvas reinforcement under controlled environment (2020)Soft condensed matter for the conservation of cultural heritage (2008)Photochemical degradation study of polyvinyl acetate paints used in artworks by Py–GC/MS (2012)Analysis and quantitation of volatile organic compounds emitted from plastics used in museum construction by evolved gas analysis–gas chromatography–mass spectrometry (2015)
this work references cited by second hop

References

  • 2007Animal glues: a review of their key properties relevant to conservation141 cited
  • 1987Materials for Conservation105 cited
  • 2002The structural conservation of canvas paintings: changes in attitude and practice since the early 1970s51 cited
  • 1975HEAT-SEAL LINING OF A TORN PAINTING WITH BEVA 37124 cited
  • 2001The mechanical behaviour and environmental response of paintings to three types of lining treatment21 cited

Cited by

  • 2022Multi-Analytical Investigation of the Oil Painting “Il Venditore di Cerini” by Antonio Mancini and Definition of the Best Green Cleaning Treatment28 cited
  • 2024A Comparative Study of Bond Strength, Reversibility, and Projected Long-Term Durability of Lining Techniques for the Structural Stabilisation of Canvas Paintings4 cited

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