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Music and the French revolution
0 references·6 citing·22 second hop
Music and the French revolution (1993)Music and the French revolutionMusic Theory Pedagogy in the Nineteenth Century (2022)Music Theory Pedagogy in the …Uniting the Arts to Stage the Nation: Le Sueur's Ossian (1804) in Napoleonic Paris (2019)Uniting the Arts to Stage the…The Cambridge Encyclopedia of Brass Instruments (2018)The Cambridge Encyclopedia of…Music and Politics (2018)Music and PoliticsMusic under Louis XIII and XIV, 1610–1715 (2015)Music under Louis XIII and XI…‘La vittima è Idamante’: Did Mozart have a motive? (1991)‘La vittima è Idamante’: Did …The New Grove Dictionary of Music and Musicians (1981)Varese's 'Density 21.5': A Study in Semiological Analysis (1982)The New Grove dictionary of music and musicians (2001)Carolingian culture: Emulation and innovation (1995)Listening in Paris (1995)The Proprietary Church in the Medieval West (2006)Realms of Memory Rethinking the French Past (1996)From the score to the stage: an illustrated history of Continental opera production and staging (2014)Curtain, Gong, Steam (2018)Opera as Reflected in Russian Academic Periodicals of the Last Five Years (2023)Dizionario biografico degli italiani (1960)Classic Music: Expression, Form, and Style (1981)Feminine Endings: Music, Gender, and Sexuality (1992)Power/Knowledge: Selected Interviews and Other Writings 1972-1977 (1980)A Thousand Plateaus: Capitalism and Schizophrenia (1989)The structural transformation of the public sphere: an inquiry into a category of bourgeois society (1990)‘Another conspiracy about a royalty-free song’: Library music in contemporary political discourse (2024)It’s My Party (2024)Foundations of Music History (1983)The Imaginary Museum of Musical Works: An Essay in the Philosophy of Music (1993)Music in the Galant Style (2007)An historic divide: Understanding conservatories and schools of music and their place in Australian higher education (2025)
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Cited by

  • 2018Music and Politics18 cited
  • 2015Music under Louis XIII and XIV, 1610–171513 cited
  • 2022Music Theory Pedagogy in the Nineteenth Century10 cited
  • 2019Uniting the Arts to Stage the Nation: Le Sueur's Ossian (1804) in Napoleonic Paris6 cited
  • 2018The Cambridge Encyclopedia of Brass Instruments5 cited
  • 1991‘La vittima è Idamante’: Did Mozart have a motive?2 cited

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