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Negotiating platformisation: MusicTech, intellectual property rights and third wave platform reintermediation in the music industry
16 references·2 citing·48 second hop
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The Anticommons in Biomedical Research (1998)Fallibility, reflexivity, and the human uncertainty principle (2013)A positive theory of the predatory state (2016)The role of intangible assets in explaining the investment–profit puzzle (2018)The social construction of scale (2000)Snowball sampling: using social networks to research non‐heterosexual women (2005)Theorizing Sociospatial Relations (2008)The platformization of cultural production: Theorizing the contingent cultural commodity (2018)“You Need At Least One Picture Daily, if Not, You’re Dead”: Content Creators and Platform Evolution in the Social Media Ecology (2020)“First Week Is Editorial, Second Week Is Algorithmic”: Platform Gatekeepers and the Platformization of Music Curation (2019)Folk theories of algorithmic recommendations on Spotify: Enacting data assemblages in the global South (2020)
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References

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  • 2018Intellectual Monopoly in Global Value Chains392 cited
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  • 2015Selling Digital Music, Formatting Culture227 cited
  • 2015The Playlist Experience: Personal Playlists in Music Streaming Services216 cited
  • 2019Blockchain as an external enabler of new venture ideas: Digital entrepreneurs and the disintermediation of the global music industry185 cited
  • 2006Impact of Legal Threats on Online Music Sharing Activity: An Analysis of Music Industry Legal Actions181 cited
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  • 2003When Creators, Corporations and Consumers Collide: Napster and the Development of On-line Music Distribution137 cited
  • 2004The transformation of the music industry supply chain130 cited
  • 2018From creator to data: the post-record music industry and the digital conglomerates

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116 cited
  • 1999From Music Publishing to MP3: Music and Industry in the Twentieth Century111 cited
  • Cited by

    • 2023Tech start-up capitalisation in an oligopolistic copyright industry: the case of the contemporary music industry6 cited
    • 2025Artificial intelligence in the music streaming value chain: Exploring artists' and users’ perceptions on content creation and algorithmic consumption5 cited