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An analytical investigation of a wooden panel painting attributed to the workshop of Lucas Cranach the Elder
16 references·1 citing·48 second hop
An analytical investigation of a wooden panel painting attributed to the workshop of Lucas Cranach the Elder (2022)An analytical investigation of a wooden p…The application of state-of-the-art technologies to support artwork conservation: Literature review (2020)The application of state-of-t…Application of ATR-FTIR mapping to identification and distribution of pigments, binders and degradation products in a 17th century painting (2019)Application of ATR-FTIR mappi…The Giotto's workshop in the XXI century: looking inside the “God the Father with Angels” gable (2018)The Giotto's workshop in the …In situ macro X-ray fluorescence (MA-XRF) scanning as a non-invasive tool to probe for subsurface modifications in paintings by P.P. Rubens (2018)In situ macro X-ray fluoresce…Macro X-ray fluorescence scanning (MA-XRF) as tool in the authentication of paintings (2017)Macro X-ray fluorescence scan…Hyperspectral imaging combined with data classification techniques as an aid for artwork authentication (2017)Hyperspectral imaging combine…Hygro-mechanical numerical investigations of a wooden panel painting from “Katharinenaltar” by Lucas Cranach the Elder (2017)Hygro-mechanical numerical in…Micro‐Raman spectroscopy analysis of the 17th century panel painting ‘Servilius Appius’ by Isaac van den Blocke (2014)Micro‐Raman spectroscopy anal…Experimental Comparative Study of the Applicability of Infrared Techniques for Non-destructive Evaluation of Paintings (2013)Experimental Comparative Stud…Lucas Cranach the Elder: Art and Devotion of the German Reformation (2009)Lucas Cranach the Elder: Art …Study of the pigments elementary chemical composition of a painting in process of attribution to Gainsborough employing a portable X-rays fluorescence system (2007)Study of the pigments element…Scanning electron microscopy and energy dispersive analysis: applications in the field of cultural heritage (2006)Scanning electron microscopy …Scientific Examination of Art: Modern Techniques in Conservation and Analysis (2005)Scientific Examination of Art…Detecting art forgeries using LA-ICP-MS incorporating the in situ application of laser-based collection technology (2005)Detecting art forgeries using…Non-destructive XRF analysis of paintings (2004)Non-destructive XRF analysis …The paintings of Lucas Cranach (1978)The paintings of Lucas CranachNon-Invasive Study of Pigment Palette Used by Olga Boznańska Investigated with Analytical Imaging, XRF, and FTIR Spectroscopy (2023)Non-Invasive Study of Pigment…Infrared Reflectography: a Method for the Examination of Paintings (1968)REFLECTOGRAPHY OF PAINTINGS USING AN INFRARED VIDICON TELEVISION SYSTEM (1969)Technical Studies in the Field of the Fine Arts (1977)IR Reflectography and Active Thermography on Artworks: The Added Value of the 1.5–3 µm Band (2018)Post-Processing of VIS, NIR, and SWIR Multispectral Images of Paintings. New Discovery on the The Drunkenness of Noah, Painted by Andrea Sacchi, Stored at Palazzo Chigi (Ariccia, Rome) (2019)Listening to laser light interactions with objects of art: a novel photoacoustic approach for diagnosis and monitoring of laser cleaning interventions (2020)Artists' Pigments: A Handbook of Their History and Characteristics, Volume 2 (1995)Artists' Pigments: A Handbook of Their History and Characteristics, Vol. 3 (1999)Metals in antiquity (1999)Provenance Determination of Oriental Porcelain Using Laser Ablation‐Inductively Coupled Plasma‐Mass Spectrometry (LA‐ICP‐MS)* (2007)OPLS multivariate regression of FTIR-ATR spectra of acrylic paints for age estimation in contemporary artworks (2019)Scientific foundations and current state of trace evidence—A review (2020)Application of Science in Examination of Works of Art (1959)Use of microscopic XRF for non-destructive analysis in art and archaeometry (2000)X-ray fluorescence spectrometry in art and archaeology (2000)A joint application of ATR-FTIR and SEM imaging with high spatial resolution: Identification and distribution of painting materials and their degradation products in paint cross sections (2012)Micro‐Raman spectroscopic analysis of inks and pigments in illuminated medieval old‐Slavonic manuscripts (2012)Applications of synchrotron X-ray nano-probes in the field of cultural heritage (2018)Multispectral and hyperspectral imaging technologies in conservation: current research and potential applications (2006)Advances in multispectral and hyperspectral imaging for archaeology and art conservation (2011)Reflectance Hyperspectral Imaging for Investigation of Works of Art: Old Master Paintings and Illuminated Manuscripts (2016)Automatic pigment identification from hyperspectral data (2018)Recent trends in the application of Fourier Transform Infrared (FT-IR) spectroscopy in Heritage Science: from micro- to non-invasive FT-IR (2019)Reflectance imaging spectroscopy in heritage science (2020)Pigment Compendium: A Dictionary of Historical Pigments (2007)Synthetic organic pigments of the 20th and 21st century relevant to artist's paints: Raman spectra reference collection (2008)A mobile instrument for in situ scanning macro-XRF investigation of historical paintings (2013)An automatic hyperspectral scanning system for the technical investigations of Chinese scroll paintings (2020)The importance of being little: MA‐XRF on manuscripts on a Venetian island (2020)MA-XRF for the Characterisation of the Painting Materials and Technique of the Entombment of Christ by Rogier van der Weyden (2021)Optimization of mobile scanning macro-XRF systems for the in situ investigation of historical paintings (2011)A multipurpose X-ray fluorescence scanner developed for in situ analysis (2019)MA-XRF imaging as a tool to characterize the 16th century heraldic stained-glass panels in Ghent Saint Bavo Cathedral (2019)PLS-DA and data fusion of visible Reflectance, XRF and FTIR spectroscopy in the classification of mixed historical pigments (2021)Raman spectroscopic library of natural and synthetic pigments (pre- ≈ 1850 AD) (1997)A Decade of Raman Spectroscopy in Art and Archaeology (2007)Current progress on murals: distribution, conservation and utilization (2023)Unmixing and pigment identification using visible and short-wavelength infrared: Reflectance vs logarithm reflectance hyperspaces (2023)Climate Change and Cultural Heritage: A Global Mapping of the UNESCO Thematic Indicators in Conjunction with Advanced Technologies for Cultural Sustainability (2024)Non-invasive and non-destructive micro-XRF and micro-Raman analysis of a decorative wallpaper from the beginning of the 19th century (2006)Trace Element Fingerprinting of Australian Ocher Using Laser Ablation Inductively Coupled Plasma‐Mass Spectrometry (LA‐ICP‐MS) for the Provenance Establishment and Authentication of Indigenous Art* (2007)Handheld XRF for Art and Archaeology (2013)Hygro-mechanical investigations of clavichord replica at cyclic climate load: Experiments and simulations (2018)Modelling wooden cultural heritage. The need to consider each artefact as unique as illustrated by the Cannone violin (2020)Modelling of hygro-mechanical behaviour of wooden panel paintings: model calibration and artworks characterisation (2023)Multispectral Infrared Reflectography to Differentiate Features in Paintings (2011)Synchrotron UV−Visible Multispectral Luminescence Microimaging of Historical Samples (2011)Rethinking the History of Artists' Pigments Through Chemical Analysis (2012)
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References

  • 2017Hyperspectral imaging combined with data classification techniques as an aid for artwork authentication123 cited
  • 2006Scanning electron microscopy and energy dispersive analysis: applications in the field of cultural heritage92 cited
  • 2020The application of state-of-the-art technologies to support artwork conservation: Literature review91 cited
  • 2017Macro X-ray fluorescence scanning (MA-XRF) as tool in the authentication of paintings80 cited
  • 2005Scientific Examination of Art: Modern Techniques in Conservation and Analysis71 cited
  • 2004Non-destructive XRF analysis of paintings66 cited
  • 2018In situ macro X-ray fluorescence (MA-XRF) scanning as a non-invasive tool to probe for subsurface modifications in paintings by P.P. Rubens46 cited
  • 2005Detecting art forgeries using LA-ICP-MS incorporating the in situ application of laser-based collection technology38 cited
  • 2017Hygro-mechanical numerical investigations of a wooden panel painting from “Katharinenaltar” by Lucas Cranach the Elder35 cited
  • 2013Experimental Comparative Study of the Applicability of Infrared Techniques for Non-destructive Evaluation of Paintings30 cited
  • 2019Application of ATR-FTIR mapping to identification and distribution of pigments, binders and degradation products in a 17th century painting27 cited
  • 1978The paintings of Lucas Cranach26 cited
  • 2007Study of the pigments elementary chemical composition of a painting in process of attribution to Gainsborough employing a portable X-rays fluorescence system

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25 cited
  • 2009Lucas Cranach the Elder: Art and Devotion of the German Reformation24 cited
  • 2018The Giotto's workshop in the XXI century: looking inside the “God the Father with Angels” gable23 cited
  • 2014Micro‐Raman spectroscopy analysis of the 17th century panel painting ‘Servilius Appius’ by Isaac van den Blocke20 cited
  • Cited by

    • 2023Non-Invasive Study of Pigment Palette Used by Olga Boznańska Investigated with Analytical Imaging, XRF, and FTIR Spectroscopy11 cited