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Architectural Polychromy on the Athenian Acropolis: An In Situ Non-Invasive Analytical Investigation of the Colour Remains
16 references·0 citing·41 second hop
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(2021)Critical evaluation of portable Raman spectrometers: From rock outcrops and planetary analogs to cultural heritage – A review (2021)Infrared Spectroscopy in Conservation Science (2000)Symbolic use of marine shells and mineral pigments by Iberian Neandertals (2010)A 100,000-Year-Old Ochre-Processing Workshop at Blombos Cave, South Africa (2011)In situ Raman spectroscopy for cultural heritage studies (2021)Artists' Pigments: A Handbook of Their History and Characteristics, Volume 2 (1995)Pigments—Lead-based whites, reds, yellows and oranges and their alteration phases (2021)Pigments—Iron-based red, yellow, and brown ochres (2022)Analysis of bulk and inorganic degradation products of stones, mortars and wall paintings by portable Raman microprobe spectroscopy (2004)Non-invasive identification of paint binders in illuminated manuscripts by ER-FTIR spectroscopy: a systematic study of the influence of different pigments on the binders’ characteristic spectral features (2019)
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References

  • 2000Analysis with micro-Raman spectroscopy of natural organic binding media and varnishes used in art376 cited
  • 2010In Situ Noninvasive Study of Artworks: The MOLAB Multitechnique Approach243 cited
  • 2002Raman spectroscopy of the basic copper chloride minerals atacamite and paratacamite: implications for the study of copper, brass and bronze objects of archaeological significance217 cited
  • 2016Raman spectroscopy of minerals and mineral pigments in archaeometry191 cited
  • 2017On the stability of mediaeval inorganic pigments: a literature review of the effect of climate, material selection, biological activity, analysis and conservation treatments185 cited
  • 2004Black crusts and patinas on Pentelic marble from the Parthenon and Erechtheum (Acropolis, Athens): characterization and origin169 cited
  • 2012The on‐site/remote Raman analysis with mobile instruments: a review of drawbacks and success in cultural heritage studies and other associated fields168 cited
  • 2000A Review of Copper Chlorides and Related Salts in Bronze Corrosion and as Painting Pigments132 cited
  • 2016Mobile Spectroscopic Instrumentation in Archaeometry Research120 cited
  • 2015A review of ancient Egyptian pigments and cosmetics116 cited
  • 1967Cycladic Metallurgy and the Aegean Early Bronze Age101 cited
  • 2016Non-invasive Investigations of Paintings by Portable Instrumentation: The MOLAB Experience86 cited
  • 2016Raman spectroscopy of green minerals and reaction products with an application in Cultural Heritage research

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82 cited
  • 1998Green degradation products of azurite in wall paintings: identification and conservation treatment78 cited
  • 2014“Precious colours” in Ancient Greek polychromy and painting : material aspects and symbolic values61 cited
  • 2012Characterization of the binding medium used in Roman encaustic paintings on wall and wood49 cited
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