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Tutankhamun’s Polychrome Wooden Shawabtis: Preliminary Investigation for Pigments and Gilding Characterization and Indirect Dating of Previous Restorations by the Combined Use of Imaging and Spectroscopic Techniques
16 references·1 citing·45 second hop
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Cuprorivaite a window to ancient Egyptian technology (1983)Egyptian blue ? 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References

  • 2000Infrared Spectroscopy in Conservation Science690 cited
  • 2014Characterisation of colourants on illuminated manuscripts by portable fibre optic UV-visible-NIR reflectance spectrophotometry345 cited
  • 2007Analytical Techniques in Materials Conservation262 cited
  • 2001Conservation of Wood Artifacts224 cited
  • 1983Egyptian blue ? Cuprorivaite a window to ancient Egyptian technology151 cited
  • 2008The production technology of Egyptian blue and green frits from second millennium BC Egypt and Mesopotamia135 cited
  • 2008Examination of some pigments, grounds and media from Egyptian cartonnage fragments in the Petrie Museum, University College London105 cited
  • 2015Practical notes on ultraviolet technical photography for art examination101 cited
  • 1995Spectrochemical and structural studies on a roman sample of Egyptian blue90 cited
  • 2013Pigments and Mixtures Identification by Visible Reflectance Spectroscopy73 cited
  • 2004Raman analysis of pigments from the Egyptian Old Kingdom69 cited
  • 2006Physical Processes Involved in Production of the Ancient Pigment, Egyptian Blue68 cited
  • 2017A technical step forward in the integration of visible-induced luminescence imaging methods for the study of ancient polychromy67 cited
  • 2004The Blackening of Paint Containing Egyptian Blue66 cited

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  • 2001Roman wall paintings characterization from Cripta del Museo and Alcazaba in Mérida (Spain): chromatic, energy dispersive X-ray flurescence spectroscopic, X-ray diffraction and Fourier transform infrared spectroscopic analysis60 cited
  • 1978Tutankhamun, the untold story52 cited
  • Cited by

    • 2023Non-invasive imaging and spectroscopy techniques for identifying historical pigments: a case study of Iranian manuscripts from the Qajar era7 cited