Researching Experience in Journalism: Theory, Method, and Creative Practice

Abstract

Investigating experience is becoming a greater concern in Journalism Studies. However, while “experience” is often mentioned, it is either never fully discussed or it is approached in terms of mere sensory or emotional response. Experience, instead, involves additionally (and simultaneously) situatedness, embodiment, and continuous re-processing over time, most of which lies beyond consciousness and is not easily articulated by words. Drawing on Whitehead's processual philosophy and Gendlin's philosophy of the implicit, this article addresses the calls in the field for “taking experience seriously.” Theoretically, it tackles the ontological leap required to be able to conceive experience. Methodologically and empirically it demonstrates the potential for applying creative techniques to retrieve and express the knowledge beyond words that is not captured by established methods. It does so by sharing the author's reflection matured through long-term experimentation with creative practices in research and the creation of an embroidered collage inspired by the project “Being a foreigner at the time of the COVID-19 pandemic: The impact of news consumption on the everyday life of migrants in Norway.” The article takes the form, in itself, of a collage and invites the reader to join into an experiential taster of its arguments.

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