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The Shape of Spectatorship
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  • 2014“First Principles” of Animation35 cited
  • 20141 : : Animation and History24 cited
  • 2014Cartoon Film Theory16 cited
  • 2017‘A machine for recreating life’: an introduction to reproduction on film15 cited
  • 2014André Martin, Inventor of Animation Cinema13 cited
  • 2018Model and movement: studying cell movement in early morphogenesis, 1900 to the present13 cited
  • 2014Signatures of Motion12 cited
  • 2014Some Observations Pertaining to Cartoon Physics; or, The Cartoon Cat in the Machine12 cited
  • 2020Normal Development: The Photographic Dome and the Children of the Yale Psycho-Clinic9 cited
  • 2021Introduction: Reusing Research Film and the Institute for Scientific Film9 cited
  • 2020The ciné-biologists: natural history film and the co-production of knowledge in interwar Britain8 cited
  • 2020Boundaries of reasoning in cases: The visual psychoanalysis of René Spitz7 cited
  • 2014Animation, in Theory7 cited
  • 2023Mother-blaming revisited: Gender, cinematography, and infant research in the heyday of psychoanalysis

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3 cited
  • 20181960–1962. The international science film exhibition at the Museo Nazionale della Scienza e della Tecnica “Leonardo da Vinci” in Milan: The engineer’s solution to the problem of bridging museum, science, and cinema3 cited